RARE HISTORICAL CHINA
AND OTHER AMERICANA
r ^ f COLLECTED BY THE LATE
Edwin Babcock Holden
AMERICAN ART GALLERIES
MADISON SQUARE SOUTH
NEW YORK
PAKT II
CATALOGUE
OF
RARE HISTORICAL CHINA
AND OTHER AMERICANA
COLLECTED BY THE LATE
EDWIN BABCOCK HOLDEN
TO HE SOLD AT UNRESTRICTED RUHLIC SALE
BY ORDER OF EXECUTRIX
ON FRIDAY AFTERNOON AND EVENING. MAY Oth
AT <2.30 AND 8 O'CLOCK
AT THE AMERICAN ART UAI.LERIES
MADISON SQUARE S01:TH, NEW YORK
THE SALE WILL BE CONDUCTED BY
MR. THOMAS E. KIRBY
OF THE American Art A.ssoctation, Manacjers
NEW YORK ■ 1010
Press of The Lent & Graff Company
137-139 East 25th St., New York
CONDITIONS OF SALE
1. The highest Bidder to he the Buyer, and if any dispute
arise between two or more Bidders, the Bot so in dispute shall be
immediately put up again and re-sold.
2. The Auctioneer reserves the right to reject any bid which
is merelij a nominal or f ractional advance, and therefore, in his
judgment, likely to affect the Sale injuriously.
3. The Purchasers to give their names and addresses, and to
pay down a cash deposit, or the whole of the Purchase-money, if
rf(juiri‘(l, in default of which the hot or Lots so purchased to be
immediately put up again and re-sold.
k The Lots to be taken away at the Buyer’s Expense and Risk
within twenty-four hours from the eonelusion of tlie Sale, unless
otherwise si)eeifie(l by the Auctioneer or .Managers previous to or
at the time of Sale', and the remainder of the Purchase-money
to be absolutely paid, or otherwise settled for to the satisfaction
of the Auctioneer, on or before delivery; in default of which the
undersigned v'ill not hold themselves responsible if the Lots be
lost, stolen, damaged, or destroyed, but they will be left at the
sole risk of the purchaser.
5. While the undersigned will not hold themselves responsible
for the eorreetness of the description, genuineness, or authen-
ticity of, or any fault or defect in, any I.ot, and make no War-
ranty whatever, they will, upon receiving j)revious to tlate of
Sale trustworthy expert opinion in writing that any Painting
or other Work of .\rt is not what it is represented to be, use
every effort on their part to furnish ))roof to the contrary; fail-
ing in which, the object or objects in (piestion will be sold sub-
ject to the declaration of the aforesaid exj>ert, he being liable
to the Owner or Owners thereof for damage or injury oecasioned
thereby.
(). To prevent inaccuracy in delivery, and inconvenience in the
settlement of the Purchases, no Lot c<(n, on any account, be re-
moved during the Sale.
7. Upon failure to comply with the above conditions, the money
deposited in part payment shall be forfeited; all Lots uncleared
within one day from conclusion of Sale, (unless otherwise specified
as above) shall be re-sold by public or private sale, without further
notice, and the deficiency (if any) attending such re-sale shall be
made good by the defaulter at this Sale, together with all charyes
attending the same. This Condition is without prejudice to the
right of the Auctioneer to enforce the contract made at this Sale,
without such re-sale, if he thinks fit.
8. The Undersigned are in no manner connected with the
business of the cartage or packing and shipping of purchases,
and although they will afford to purchasers every facility for em-
ploying careful carriers and packers, they will not hold themselves
responsible for the acts and charges of the parties engaged for
such services.
The AMERICAN ART ASSOCIATION, Maxagers.
TIIO.MAS E. KIRBY, Auctioneer.
♦ r
G ATA L O G U E
Al'TKItNOON SAI.K
r'uiDAV, Mav 6, 1910
A^l' AMERICAN ART GALLERIES
HKGIXXIXG AT 2.30 o’C'I.OCK
1 Platk
Staffordshire; early Niiieteentli Century (about 1825).
Printed in dark blue. Rorder, canal boats and lock. After
drawing by Samuel Maverick. Centre, “The I)e ^Vitt
Clinton Eulogy.” Generally known as the “Erie C'anal In-
scri})tion'' Plate.
Ildlseij, j). 142, No. 59. Barber, No. 255.
Diameter, 10 inches.
2 Platk
Staffordshire; early Nineteenth C'entury. Printed in dark
blue. Floral border. Centre, “The Hop Pickers.” Rural
English subjects.
Diameter, 9‘14 inches.
3 Pl.ATK
Staffordshire; early Eighteenth Century. Shaped border,
with relief design. \ ariegated and mottled glaze, in brown,
yellow, green, and dark gray.
Diameter, 9 inches. Maker, Thomas Whieldon.
4 Pl.ATK
Staffordshire; middle Eighteenth Century. Shaped border,
witli diaper pattern in relief. Variegated and mottled
glaze, iti gray, green, and brown.
Diameter, 9 inches.
5 Plate
Staffordshire; early Nineteenth Century. Printed in dark
blue. Border, sea shells. (Barber’s No. I, Type b.) Centre,
“The Engagement Between the ‘Constitution’ and the
‘Guerriere.’ ”
Enoch Wood (§’ Sons. Mark, ''Wood.”
Halsey, p. 76, No. 56. Barber, No. 5.
Diameter, IQl/h inches.
6 Plate
Staffordshire; early Nineteenth Century. Printed in blue.
Border, floral design. Centre, “New York, from Brooklyn
Heights.” From a design by W. G. Wall.
Andrezv Stevenson. Mark, "A. Stevenson,” p. blue.
Halsey, p. 162, No. 122. Barber, No. 52.
Diameter, 10 inches.
7 Plate
Liverpool cream ware ; late Eighteenth Century. Printed
and colored decoration. Border, floral sprays. Centre,
American sailing ship, brig-rigged.
Diameter, 10 inches.
8 Plate
Liverpool cream ware ; late Eighteenth Century. Printed
and colored decoration. Border, brown line. Centre, Eng-
lish sailing ship, brig-rigged.
Diameter, 10 inches.
9 Plate
s
Staffordshire; early Nineteenth Century (about 1825).
Printed in dark blue. Border, floral design. Centre, “Land-
ing of Gen. Lafayette, Castle Garden, 1824.” From
sketch by Samuel Maverick.
Makers, IF. J. B. Clews. Mark, "Clews,” imp.
Halsey, p. 120, No. 154. Barber, No. 59.
Diameter, 10^ inches.
10 Plate
Similar to the preceding.
11 Son* 1*1, ATF,
Siinllar to the* procediii^.
i:^
I, AT
K
Stufloi’dsiliro ; early Nineteenth (’entiiry (al)ont
J’rinted in dark blue. Border of foliage, ('entre view
of Alitehell X: Freeman’s ('hina and (ihiss Ware
('Initham Street, Boston.”
, “View
1 louse,
Maker, ill id in A da ms.
Ildlsei), }). 224, No. 5^4. Barber, No. 154.
Diameter, 10 inelies.
IB I’l.ATK
Staft’ordsliire ; early N ineteenth Century. Frinted in li^ht
blue. Border, floral desig-n. (Barber’s .No. XI\.) ('entre,
“View of ('ity Hall, New ^’ork.”
.Made hi/ J . cV J . Jaekson. Mark, '\f aekson.''
Ilalsei), No. 140. Barber, NO. ISB.
Diameter, 10 ’/^ inehes.
14 Pi, ATE
Staffordshire; dated 1840. Printed in li^ht ^reen. Bor-
der, star desio-ii. Centre, lo^-eahin. .Made to commemorate
the “Foo- Cabin ajid Hard ('ider” cam{)ai^n of President
W. II. Hai •rison.
.Made bi/ John Bid great/. Marks, '\John Bidgxcai/," imj).
‘’'Columbia Star, Oct. 2H, 1840," p. blue.
Diameter, lO^j inches. Barber, No. !:J87.
15 Son* Plate
Staffordshire; early Nineteenth Century (about 18B()).
Printed in li^ht blue. Border, plueni.x and fire engines,
(’entre, “Burning of Merchants' I'.xclmn^e, New York, in
18B5.'’ .After lithograph by .1. II. Bufford.
.Marks, imp. "Stone Ware."
liaise//, p. ^Oii. Barber, No. i2t)52.
Diameter, lOb^j inches.
16
Plate
Staflordshirc ; earl}^ Nineteenth Century (1836). Printed
in dark brown. Border, phoenix and fire engines. Centre,
iew of Ruins of Merchants’ Exchange, witli National
Guard Patrolling.” After lithograph by J. H. BufFord.
Marks, “D.,” imp. “Stone Ware.”
Halsey, p. 208. Barber, No. 293.
Diameter, 9 inches.
17 Plate
Staffordshire; early Nineteenth Century (about 1836).
Printed in black. Border, phoenix and fire engines. Centre,
“Burning of Merchants’ Exchange, New York, as Viewed
from Coenties Slip.” After lithograph by J. H. Bufford.
Marks, “D.,” imp. “Stone Ware.”
Diameter, 8 inches. Halsey, p. 209.
18 Soup Plate
Staffordshire; early Nineteenth Century. Printed in black.
Border, medallions of animals and roses. (Barber’s No.
XIII.) Centre, the “Hunting View” of the “Columbus”
series.
Makers, B^. Adams Sons. Mark, “TP. A. (§’ S.,” imp.
Diameter, 9^ inches. Barber, No. 165g.
19 Soup Plate
Staffordshire; early Nineteenth Century. For description,
see No. 18.
20 Bowl
Staffordshire; early Nineteenth Century. Printed in dark
l)lue. Border, flowers, scrolls, and eagles. (Barber’s No.
I'll.) Centre, “View of Upper Ferry Bridge, Over the
River Schuylkill.”
Maker, Joseph Stubbs.
Halsey, p. 252, No. 180. Barber, No. 126.
Diameter, 12 inches; height, 41^ inches.
'rWKLVK Pl.ATKS
Stun'ordsilire ; early Xineteentli Century (about
Printed in dark blue, liorder, .scroll and ea^le design, with
medallions contaiiun^’ slnj)s and inscriptions. Centix*,
“Landing’ of Pilgrim Fathers.”
Makers, Knock W ood Sons.
Mark, ‘‘'Knock Wood Sons, Harslcm,” imp.
Ilalseij, p. No. 184. Barber, \o. 1.
Diameter, 10^/4 iiifbes.
Pl..\TK
Staff'ordshire ; late Imghteenth ('entury. ^ ariegated ^laze.
Shaped border, with gadroon edge. Mottled “tortoise-
shell” glaze, in brown, yellow and green.
Diameter, 9 inches. M(dier, Thomas WJueldon.
1^9 Soup Pr.ATE
Staff'ordshire; early Nineteenth Century. Printed in dark
blue, liorder, fruits and flowers. (Barber's No. XXII.)
Centre, “\'iew of the Court House, Baltimore.”
Maker, nnknoicn.
ll(dse/j, p. No. 7. Barber, No.
Diameter, Hl/h inches.
524 Pr.ATK
Staff'ordshire; early Nineteenth Century (about 18525).
Printed in dark blue. Border, scrolls and roses. Centre,
“Columbia College.” (This is the third of Stevenson's views
of the (’ollcge.)
Made bij A. Stevenson,
liaise//, p. 85, No. 14f). Barber, No. 4.'j.
Diameter, TV!’ inches.
525 Pl.ATK
Staffordshire; early Nineteenth Century (about 18525).
Printed in dark blue. Border, oak leaves and acorns. ( Bar-
bei-'s No. IX.) Centre, “Columbia College, New York."
.Maker, Baljdi Stex'cnson.
liaise//, p. 84, No. 145. Barber, No. 15J9.
Diameter, iiiches.
26
Plate
Similar to the preceding.
Diameter, 7^/h inches.
27 Plate
Staffordshire; early Nineteenth Century. Printed in dark
blue. Border, rose leaf medallions. (Barber’s No. VI.)
Centre, “View of Insane Hospital, Boston.” From the
“Beauties of America” series.
Makers, /. (§' IF. Ridgway.
Mark, “/. (§’ IF. Ridgway,” p. blue.
Diameter, 7 inches.
28 Plate
Staffordshire; early Nineteenth Century. Printed in dark
blue. Border, roses and asters. (Barber’s No. XXI.)
Centre, “View Near Fishkill, New York.”
Maker, Enoch Wood, imp.
Halsey, p. 177, No. 79. Barber, No. 229.
Diameter, 7% inches.
29 Plate
Staffordshire; early Nineteentli Century (about 1832).
Printed in blue. Border, floral, with subjects in panels.
Centre, “View of the Dumb Asylum, Pliiladelphia.” From
an engraving published by Hinton & Simpkin & Marshall,
London, in 1831.
Maker, unknown.
Diameter, 8)/2 inches. Barber, No. 298.
30 Plate
Staffordshire; early Nineteenth Century (about 1831).
Printed in black. Border, floral design. (Barber’s No.
XIV.) Centre, “View of the Battery, New York City.”
After illustration in Hinton’s “History of New York.”
Makers, Job (§■ John Jackson.
Mark, “Jackson's Warranted.”
Halsey, p. 199. Barber, No. 181.
Diameter, 8 inches.
,‘U Platk
StartOnlshi I'c ; earlv N iiioteeiitli ( eiitiirv. Pi'Iiitcd in daik
blue. Border, sliell desi^'ii. (Barber’s No. I, J k.)
Centre, “\de\v of the Capitol, Washington.”
Mali era. Knock W'ood Sons.
Mark, ''Knock Wood cSi* Sons, Unrslem," Ini]).
llalscif, }). 5^()(), No. ^iH). linrhcr. No. 13.
Diameter, HY_> inches.
3Ji Pl-ATE
Statt'ordshire ; early Nineteenth Century (about
Printed in dark bine. Border, floral design. (’entre,
“liandlng of Gen. liafayette, C'astle Ciarden, 18fi4.” Prom
sketch by Samnel .Maverick.
Makers, IP. J. R. Clcxcs. Mark, "Clexcs,'' imj).
llalsejj, f). 120, No. 154. Barber, No. 50.
Diameter, 10 Vi inches.
33 Pr.ATK
Staffordshire; early Nineteenth ('entnry (about 1830).
Printed in dark bine. Border, oak leaves and acorns. ( Bar-
ber’s No. IX.) ('entre, “Mew of Broadway, Showing the
City Hotel, between Thames and Cedar Streets.
Makers, Ralph Stevenson <1^- ]ViUiarns. Mark, "R. S. IP.”
H(dsei/, }). 73, No. 143. Barber, No. 142.
Diameter, 8’;4 inches.
34 Pl.ATK
Staffordshire; early Nineteenth (’entnry. Printed in dark
bine. Border, festoons containing the names of fifteen
States, with five-})ointed stars intcrs])ersed. (Barber's No.
n', Type a.) Centre, “View of Cnlversity Building, si.\
wings; Shee]) on Lawn.” This Is one of the well-known
“States” series.
.^[(di'ers, J. R. ( lezes. Mark, "C lexcs," ini]).
Ifalseij, No. 108. Barber, No. 5()d.
Diameter, H-Yi inches.
35 Plate
Staffordshire; early Nineteenth Century. Printed in dark
blue. Border, scroll, floral and fruit design. Centre,
“Figure of Peace and Plenty, with Shield of American
Eagle.”
Mahers, J. <!§’ R. Cleics. Mark, “Clezcs,"’ imp.
Halsey, No. 166. Barber, No. 61.
Diameter, 9 inches.
36 — Plate
Staffordshire; early Nineteenth Century (about 1829).
Printed in dark blue. Border, oak leaves and acorns. (Bar-
ber’s No. IX.) Centre, “View of Park Theatre, New York.”
From a print in Goodrich’s “Picture of New York, 1828.”
Damaged.
Makers, Ralph Stevenson (§' Williams.
Mark, “R. S. TTh,” p. blue.
Halsey, p. 53, No. 155. Barber, No. 1-13.
Diameter, 10 inches.
37 Plate
Staffordshire; early Nineteenth Centur^L Printed in dark
blue. Border,, festoons, containing the names of fifteen
States. (Barber’s No. IV, Type a.) Centre, “View of
Three-story Building and Observatory; Two Fishermen.”
Known as “The Fishermen.” One of the “States” series.
Makers, 1. <§' R. Clexos. Mark, ''Cleu's,'’ imp.
Halsey, No. 195. Barber, No. 56a.
Diameter, 8% inches.
38 Sour Plate
Staffordshire ; early Nineteenth Century. Printed in bright
blue. Border, floral panels. Centre, scene from Scott’s
“Lady of the Lake.”
Maker, iinknoxcn.
Diameter, 10 inches.
Ii9 ]*I,ATK
Stufrordshire; early Nineteentli Century (about
Printed in brown. Border, lace design. Centre, iew' of
J'ude (’anal at Buffalo.”
Milker^ l{(dl)h Stevenson. Mark, “/(. *S.
liurber,
4-0 Plate
Staffordshire; early Nineteenth Century. Printed in dark
blue. Jiorder, shell design. (liarber’s No. I, ^fype b.)
Centre, “View' of the (’ity of All)any, State of New \ork.
Makers, Knock Wood Sons.
Mark, "\Knoch Wood SoJis, Burslcm,” imp.
II(dsey, }). f)8. No. 2. Bart>er, No. 9.
Diameter, It) inches.
41 Pla'I’f.
Staffordshire; early Nineteenth Century. Printed in blue.
Bordei', rose leaf medallions. (Barber’s No. VI.) Centre,
“View' of City Plall, New York.” One of the “Beauties of
America” series.
.Makers, I. IP. Bidgxcay. Mark, “/. IP. Bidgxi'ay.”
Halsey, p. 50, No. 139, Barber, No. 94,
Diameter, 10 inches.
42 I’EA'l'E
Staffordshire; early Nineteenth Century. Dark blue. Bor-
der, sprays of trumpet flowers and marginal stars. (Bar-
ber’s No. VIII.) Centre, “Arms of the State of New York.”
One of the series of “Seals of the United States.”
Maker, T. Mayer. Mark, “7\ ini]),
Halsey, p. 196, No. 121. Barber, No. 133.
Diameter, 10 inches.
43 Plate
Staffordshire; early Nineteenth ('entury (about 1826).
Printed in dark blue. Border, design of shells. (Barber’s No.
Ib.) Centre, “The Wreck of the Kent, East Indiaman.”
The Kent encountered a terrific storm in the Ihij of Biscay,
in February, 18f25. Her passengers were saved by Cap-
tain Cook on the Vera Cruz, but she was eventually lost.
Maker, Enoch Wood. Mark, “IFood,” imp.
Diameter, 9^ inches.
4-i Plate
Statfordshire ; early Nineteenth Century (about 1825).
Printed in dark blue. Border, floral design. Centre, “View
of the Entrance of the Erie Canal into the Hudson.” From
a drawing by J. Bights. The \ an Rensselaer Vlanor House
is shown in the distance.
Makers, Enoch Wood (§• Sons.
Halsey, p. 147, No. 61. Barber, No. 254.
Diameter, 10 inches.
45 Plate
Staffordshire. Printed in dark blue. For description, see
No. 36.
46 Plate
StaflPordshire ; early Nineteenth Century (about 1822).
Printed in dark blue. Border, oak leaves and acorns. (Bar-
ber’s No. IX.) Centre, “View of Harvard College.” After
the painting by Alvan Fisher.
Makers, Ralph Stevenson (§' Williams.
Mark, “R. S. TP.,” p. blue.
Halsey, p. 227, No. 42. Barber, No. 140.
Diameter, 10 inches.
47 Plate
Staffordshire; early Nineteenth Century (about 1825).
Printed in light blue. Border, fruit, flower and blackberry
design. Centre, “View of Harvard College.”
Makers, R. Stevenson Williams.
Mark, “R. S. TP.,” p. blue.
Slot noted by either Halsey or Barber.
Diameter, 101/4 inches.
4S 1‘i.ATi-:
Sfalfordsliirc ; oui'ly Nineteenth (’entiiry (about 1825).
Pfinted in dark blue. Jiorder, iris, bollyliock and
( Harber’s No, II.) Centre, iew of La (iranpjo, tlie Resi-
dence of the Mar([uis de Lafayette,” sbowinf^ the entrance
to the (diateau, and the Marquis, with liis daughter and
^raiidcbild, in tlic forcf'round.
Makers, Knucit Wood Sons.
Murk, “ILoor/,” iiiq).
1 false//, (). 184, \o. 108. Barber, p. 31.
Diameter, lO^/; inches.
49 Sour Pi-ATE
Sat tfordsl lire ; early Nineteenth Century (about 1830).
Printed in dark lilue. Border, flowers and scrolls, ('entre,
“d'be ^'ale^ltine.” One of the series of “Designs After Sir
David Wilkie.”
Maker, James Clews. Mark, “Clews,” imp.
Diameter, 7% inches. Barber, }). 49.
oO Plate
Stafi'ordshire ; early Nineteenth Century (about 1830).
Printed in dark blue. Border, flowers and scrolls. Centre,
“The Escape of the Mouse.” One of the series of “Designs
^Vfter Sir David IN'ilkle.
Maker, James Clews. Mark, “Clews,” imj).
Diameter, 10 inches. Barber, }). 48.
.51 Plate
Staffordshire; early Nineteenth Century (about 1830).
Printed in dark blue. Border, flowers and scrolls. Centre,
“Playing at Draughts.” One of the series of “Designs
After Sir David Wilkie.
Maker, James Clezcs. Mark, “Clercs,” imp.
Diameter, 10 inches. Barber, p. 48.
.5f2 Saucer
Staffordshire; early Nlneteentli Century. Printed in dark
blue. Scalloped edge. IMoral border. ('entre, “View of
^Mount Vernon, tlic Seat of tlie Late General Washington.”
Washington, in full uniform, standing beside his horse in the
foreground.
Maker, unknown.
Halsey, No. 117. Barber, No. 263.
Diameter, 5% inches.
53 Saucer
Staffordshire; early Nineteenth Century. Printed in dark
blue. Border of roses and thistles. Centre, “Jefferson (.?)
with Scroll, Standing by the Tomb of Washington.” This
is one of several variations on the same idea.
Makers, Enoch Wood Sons.
Mark, “Wood,” imp.
Halsey, p. 316, No. 220. Barber, No. 32.
Diameter, 5% inches.
54 Soup Plate
Staffordshire; early Nineteenth Century (about 1830).
Printed in dark blue. Border, six-scalloped star, birds,
and flowers between. Centre, “The Meeting of Don
Quixote and Sancho Panza.” One of the “Don Quixote”
designs.
Maker, James Clews.
Diameter, 9 inches. Barber, p. 49.
55 Plate
Staffordshire; early Nineteenth Centur}" (about 1830).
Printed in dark blue. Border, flowers and scrolls. Centre,
“Christmas Eve.” One of the series of “Designs After Sir
David Wilkie.”
Maker, James Clews. Mark, “Clews,” imp.
Diameter, 8-^ inches. Barber, p. 48.
56 Saucer
Staffordshire; early Nineteenth C'entury. Printed in dark
blue. Border, floral design. Centre, “Tomb, inscribed
‘Franklin,’ with Seated Figure Holding Open Book.” With
tlie tomb Inscribed “\\bisliiiif''ton,” tlie same design is the
so-called ‘^Lafayette at W'asbington’s d'omb.”
Maker, Knock Wood Sons.
Mark, “A’. Il'ood Sons, liurslcni,’' imj).
Halsey, p. IdO, \o. SO. Barber, No.
Diameter, 5')4 Inches.
57 Saucku
Stalfordsliire ; early Nineteenth Century (about 1S20).
Printed In dark blue. Jiorder, vine leaf and floral design,
('entre, “\de\v of the Jhitfery Flagstaff, New York.” From
a view in Drayton’s “Northern and Eastern Tour.”
Maker, J. Stevenson.
Halsey, p. 100, No. If28. Barber, No. 50.
Diameter, ()‘)4 inches.
5S Plate
Stafloi'dshlre. I’rinted in dark blue. For dcscrij)tion, see
No. 9.
59 Pi. ATE
Staffordshire. Printcfl in dark blue. Border of flowers,
scrolls and eagles. (Barber's No. C’entre, “View of
Woodlands, near Philadelphia.”
Maker, Joseph Stubbs. Mark, '‘Stubbs,'' imp.
Halsey, p. ^255, No. 188. Barber, No. 125.
Diameter, inches.
00 Plate
Staffordshire; early Nineteenth Century. I’rinted in dark
blue. Border, sea shells. (Barber's No. I, Tvpe b.) Cen-
tre, “\'lew of the White House." (This vie^v is wrongly
entitled, “The Capitol, Washington.")
Maker, Enoch Wood. Mark, “Wood," Imp.
Halsey, p. 2()0, No. 217. Barber, No. 18.
Diameter, Oy^ inches.
61 — Plate
Staff ordsliire ; early Nineteentli Century. Printed in red.
Border, floral and scrolled panels. Centre, “View of Xew
York, U. S.” A wholly imaginary view of Xew York.
MaK •crs, 11\ Adams Son.
Diameter, 6 inches. Barber, Xo. 161.
62 Plx\te
Staffordshire; early Xineteenth ('entury. Printed in dark
blue. (See Xm. 31 for description.) Centre, “Distant
View of Public Buildings Through Vista of Trees ; Two
Women in Foreground.”
Halsey, X"o. 204. Barber, X^o. 56k.
Diameter, 6% inches.
63 Plate
Staffordshire; early Xineteenth Century. Printed in dark
blue. Border, sea shells. (Barber’s X'^o. Ib.) Centre,
“View of the Highlands at West Point, X’^. Y.”
Makers, Enoch Wood (§’ Sons.
Mark, “E. Wood ^ Sons, Burslem.”^
Halsey, p. 35, X^o. 90. Barber, X^o. 21.
Diameter, 6% inches.
64 Plate
Staffordshire ; early Xineteenth Century. Printed in dark
blue. Border, sea shells. (Barber’s Xo. I, Type b.) Cen-
tre, “Commodore jMacDonough’s Victory.” The British
“Confiance” and “Linnet” beaten by the American “Sara-
toga” and “Eagle,” 1814.
Makers, Enoch Wood (§' Sons.
Mark, “E. Wood Sons, BursJem.’^
Halsey, p. 193, Xo. 112. Barber, Xo. 4.
Diameter, 6% inches.
65 Two Plates
For description, see Xo. 21.
Diameters, 6'*^4 inches.
m
r
I, ATE
StaHOrdsliirt* ; I'arlv Niiu.*tc*c‘iith ('eiitury (about 18^<i5).
Printed in dark blue. Jiorder, iris, hollyhocks, and grapes.
( Harher’s No. II.) Centre, “Hast View of La Grange, the
Residence of the Marquis de Lafayette.” Showing the moat
and wall.
Mdkcrs, Enoch Wood Sons.
Mark, “L. Wood 4' Sons, Burslem,’* imp.
Ilahei), }). 180, No. 104. Barber, ]). 31.
b‘7 Two Plates
Staffordshire; early Nineteenth Century (about 1825).
Printed in dark blue. Border of iris, hollyhocks and gra})es.
(Barber’s No. II.) Centre, “View of the Moulin sur la
Marne a Charenton.” Erroneously su])posed to be on the
Lafayette estate.
Maker, Enoch Wood. Mark, “B ood,” imp.
Barber, p. 31.
68 1’eate
Similar to preceding (No. 67).
69 Peate
Staffordshire; early Nineteenth Century. Printed in dark
blue. Border, flowers, scrolls ami eagles. (Barber’s No.
\ II.) Centre, “View of Nahant Hotel, Near Boston.”
From a print in Snow's “History of Boston.”
Maker, Joseph Stubbs.
Halsey, p. 230, No. 34. Barber, No. 114.
Diameter, 9 inches.
70 Plate
Staffordshire; early Nineteenth Century. Printed in dark
blue. Border, oak leaves and acorns. (Barber’s No. IX.)
Centre, “\ iew of Nahant Hotel, near Boston.” From the
same })rint in Snow’s “History of Boston” as No. 69, but
with a diff'erent foreground.
Maker, Balph Stevenson.
Halsey, p. 231, No. 33. Barber, No. L38.
Diameter, H^/j inches.
71
Plate
Staft’ordsliire ; early Nineteenth Century. Printed in dark
blue. Border, large flowers in four groups of two sorts.
(Barber’s No. XXI.) Centre, “View of Quebec, with Sail-
ors and Sloop in foreground.”
M aker, u nknozem.
Halsey, No. 186. Barber, No. 231.
Diameter, 9 inches.
72 Plate
Staffordshire; early Nineteenth Century. Printed in blue.
Border, fruits, flowers, and conventional shells. (Barber’s
No. XXIII.) Centre, illustration, “Many a Little iNIakes
a Mickle.” One of the “Franklin’s Morals” series.
Maker, unknoxvn.
Diameter, 9 inches. Barber, No. 321.
73 Saucer
Staffordshire; early Nineteenth Centur^L Printed in dark
blue. Border, floral design. Centre, “Tomb, inscribed
‘Franklin,’ with Seated Figure Holding Open Book.”
Makers, Enoch Wood (§' Sons.
Mark, “jE. Wood Sons, Bursleni.”
Halsey, p. 136, No. 80. Barber, No. 32.
'Diameter, 6% inches.
74 Plate
Staff ordsliire ; early Nineteenth Century. Printed in dark
blue. Border, flowers and scrolls. Centre, “Doctor Syn-
tax Taking Possession of His Living.” From “The First
Tour.” One of the series of Syntax designs, after Row-
landson.
Makers, J. R. Clews. Mark, “Clezcs,” imp.
Diameter, 10^ inches. Barber, p. 46.
75 Plate
Staffoi’dsliire ; early Nineteenth Century (about 1822).
Printed in dark blue. Descri[)tion same as preceding. Sub-
ject, “Doctor Syntax and the Bees.” From “The Second
d’our.”
Diameter, 101/4 inches.
Barber, p. 47.
7() ri.ATK
Stallordsliire ; (‘iirlv Nliudeciit li (’ciitiirv (uWout
I’rliited iti dark l)liie. Dc'scrlptioii .saim* as pi’ecodln^. Sub-
ject, “Dr. Syntax I’aintin^ tlu* Portrait of Ills Landlady.”
l''roin “d'lio Second 'I'oiii’.”
Diameter, lOVj inches. Harhir, p. 47.
Staflordsliire ; early Nineteenth ('entury (about
Printed in dark blue. Description same as pi'ecedin^’. Sul)-
ject, “Dr. Syntax Keadine- His 'Pour.” k'rom “'Phe I'lrst
1 our.
Diameter, | inches. linrhrr, p. 4t).
7S
i,.vrK
Statrordshire ; (‘arly .N ineteenth
Printed in dark blue. Description
j)ect, “Dr. Syntax Star-^aziii”'.”
Dianu‘ti*r, inches.
Centui’y (about
same as pi-ecedine-. Sub-
Prom “'Phe 'Phird 'I'our."
Harhir, p. 4H.
rt) Pi,.\TF.
Statrordshire; early Nineteenth (’eidui’V (al)out
Printc'd in dark blue. Description same as pi’ecc'din^. Sub-
ject, “Dr. Syntax Turned Nurse.” h'rom “'Phird ’’Pour.”
Diameter, 7-)4 inches. liarher, }). 47.
80 Pl.ATF
Statrordshire. !*rint(‘d in dark blue. Descrlj)tlon same as
No. !).
Diameter, H'Yi Inches.
81 Pi, ATI'.
Statrordsliire. Printed in dark blue. Same as \o. 9.
Diameter, 10 inches.
8,*;^ Pl.A'I’K
Statrordshire. Printed in dark blue.
No. 9.
Diameter, 10 inches.
Description same as
83
Plate
Staffordshire. Printed in dark blue. Description same as
No. 9.
Diameter, 10 inches.
8-1 Plate
Staffordshire; early Nineteenth Century (about 1827).
Printed in dark blue. Border, flowers and views in panels.
Centre, “Winter View of Pittsfield, Massachusetts. ” Show-
ing First Congregational Church, Town Hall, and the cele-
brated Pittsfield Elm.
Makers, J. <§’ R. Clews. Mark, “Clews,” imp.
Halsey, p. 235, No. 185. Barber, No. 63.
Diameter, 10^ inches.
85 Plate
Staffordshire; very early Nineteenth Century. Printed in
dark blue. Border, floral design. Centre, “Cupid Caged.’’
Maker, Enoch Wood. Mark, “Wood,” imp.
Diameter, 9^ inches.
86 Plate
Staffordshire; earl}^ Nineteenth Century (about 1828).
Printed in dark blue. Border, sea shells. (Barber’s No.
I, Type b.) Centre, “View of the Baltimore and Ohio Rail-
road— The Inclined Plane.”
Makers, Enoch Wood (§’ Sons.
Mark, “E. Wood Sons,” imp.
Halsey, p. 283, No. 13. Barber, No. 11.
Diameter, 9^ inches.
87 Plate
Staffordshire; early Nineteenth Century (about 1828).
Printed in dark blue. Border, sea shells. (Barber’s No.
I, Type b.) Centre, “The Baltimore and Ohio Railroad.”
The Stephenson type of locomotive here shown was never
used in this country.
Makers, Enoch Wood Sons.
Mark, “E. Wood (§’ Sons,” imp.
Halsey, p. 262, No. 12. Barber, No. 10.
Diameter, 10 inches.
88 Plate
StafFordsliire ; early N’iiieteentli Century. Printed in liglit
blue. 13order, floral wreaths and groups in })anels. Centre,
view of the \\dnte House, entitled, “President’s House,
Whishington.”
Makers, J . J. Jackson.
Diameter, lOl/j inches. Barber, No. 191.
89 Pl.ATE
Stallordshire ; early Nineteenth Century (about 18^i8).
Printed in dark blue. Border, sea shells. (Barber’s No.
1, Type a.) Centre, “^dew of a Union l>ine Boat.” These
boats plied between New York and Philadelphia, Commo-
dore \ anderbilt commanding the “Bellona.”
Mark, “U. Wood (S* Sons,” imp.
Halsey, p. 179, No. J^IO. Barber, No. 7.
Diameter, 10 inches.
90 Plate
Staffordshire; early Nineteenth Century. Printed in dark
blue. Border, floral design. Centre, “View of the State
House, Boston, with Cows in Poreground.”
Makers, J. Hogers Son. Mark, ” Rogers,” imj).
Halsey, p. 21 No. 80. Barber, No. 107.
Diameter, 10 inches.
91 Plate
Staffordshire; early Nineteenth Century. Printed in dark
blue. Border, floral design. Centre, “View of the State
House, Boston; C'liaise in Foreground.”
o
Maker, Enoch Wood.
Halsey, p. 214, No. 29. Barber, No. 100.
Diameter, inches.
92 Plate
Staffordshire; early Nineteenth Century (about 182.5).
Printed in dark blue. Border, flowers, scrolls, and eagles.
(Barber’s No. VH.) Centre, “View of the Bank of^tlie
United States, Philadelpliia.” The first bank, built 1795.
From engraving by Win. Birch & Sons, 1799.
Maker, Joseph Stubbs.
Halsey, p. 2d3, No. 174. Barber, No. 122.
Diameter, 10^ inches.
From the Collection of Mrs. Clias. Theodore Bussell, Cam-
bridge, Mass.
93 Plate
Staffordshire; early Nineteenth Century (about 1830).
Printed in dark blue. Border, foliage. Centre, “View of
jMitchell & Freeman’s China and Glass Ware House, Chat-
ham Street, Boston.” The firm occupied this store be-
tween 1828 and 1832.
Makers, W. Adams c^- Sons. Mark, “Adams,” imp.
Halsey, p. 224, No. 24. Barber, No. 154.
Diameter, 10^ inches.
94 Plate
Staffordshire; early Nineteenth Century (about 1829).
Printed in dark blue. Border, fruits and flowers. (Bar-
ber’s No. XXII.) Centre, “The Dam and Waterworks,
Philadelphia” (with stern-wheel boat). After a drawing by
Birch, engraved by Tanner.
Halsey, p. 250, No. 176. Barber, No. 237.
Diameter, 10 inches.
95 Plate
Staffordshire; early Nineteenth Century. Printed in dark
blue. Description same as No. 34. Centre, “Three-story
Building and Fishermen.”
Halsey, No. 195. Barber, No. 56a.
96 Plate
Staffordshire ; early Nineteenth Century. Printed in dark
blue. Border, flowers, scrolls, and eagles. (Barber’s No.
VII.) Centre, “View of the Highlands, North River.”
This view shows the “Fulton,” launched in 1813, and ply-
ing between Albany and New York.
Malx'er, Joseph Stubbs.
Halsey, p. 171, No. 88. Barber, No. 116.
Diameter, 10 inches.
97 Plate
Staffordshire; early Nineteeiitli Century. I’rinted in dark
blue. Shaped border, vine leaf design. Centre, *‘\ iew of
the Capitol at Washington.”
Maker, Steveusun. Mark, '\Stevenson”
Halsey, p. fi84. No. ^il4. Barber, No. 55.
Diameter, 10 inches.
98 Plate
Staffordshire; early Nineteenth Centur}'. Printed in dark
blue. Porder, floral and foliage design. Centre, “La-
fayette at the Tomb of Washington.”
Makers, Enoch Wood Sons.
Halsey, p. 136, No. 101. Barber, No. 32.
Diameter, 10 inches.
99 Plate
Staffordshire. Printed in dark blue.
100 — Plate
Staffordshire; early Nineteenth CenturjL Printed in dark
blue. Border, floral and scroll design. Centre, “A Mew
Near Philadelphia,” Showing the Brand3’wine Battle-
ground.
Maker, unknoxen.
Halsey, ]). 257, No. 181. Barber, No. 224.
Diameter, 10 inches.
101 Plate
Staffordshire; early Nineteenth Century. Printed in dark
blue, liorder, sea shells. (Barber’s No. I, Type a.) C’en-
tre, “View of a Ship of the Line in the Downs,” dving the
Ik S. dag.
Makers, Enoch Wood Sons.
Mark, ‘A. B ood Sons,'' im]).
Halsey, No. 193. Barber, No. 27.
Diameter, 10 inches.
102
Plate
StafFordsliire ; earl}' Nineteenth Century. Printed in dark
blue. Border, sea shells. (Barber’s No. I, Type b.) Centre,
“View of Pine Orchard House, C'atskills, New York.
Makers, Enoch Wood (^- Sons.
Mark, Wood (§• Sons,’^ imp.
Halsey, No. 40. Barber, No. 26.
103 Soup Plate
Statfordshire ; early Nineteenth Century. Printed in dark
blue. Border, fruits and flowers. Centre, the so-called
“Lawrence IMansion, Boston.” This view is now generally
considered to be of an English, and not an American,
country house.
Maker, Ralph Stevenson.
Diameter, 10 inches. Barber, No. 149.
104 Soup Plate
Staffordshire; early Nineteenth Century' (about 1822).
Printed in dark blue. Border, rose leaf medallions. (Bar-
ber’s No. VI.) Centre, “View of the Octagon Church, Bos-
ton.” Better known as the New Old South Church, Sumner
and Bedford Streets.
Makers, J. TT". Ridgxcay.
Mark, “J. W. Ridgxcay;’ p. blue.
Halsey, p. 221, No. 2.5. Barber, No. 88.
Diameter, 9-)4 inches.
105 Soup Plate
Similar to the preceding.
106 Plate
Staffordshire; early Nineteenth Century. Printed in dark
blue. Border, sea shells. (Barber’s No. I, Type b.) Cen-
tre, “View of Table Rock, Niagara Falls.” Wood made
two views, and Stevenson one, of Niagara.
Makers, Enoch TT'ood Sons.
Mark, “E. Wood Sons.”
Halsey, p. 190, No. 162. Barber, No. 29.
Diameter, 10^ inches.
107
Soul' 1*1, ATE
Staffoi’clshire. Printed in dark blue. “Jliiltiinoi’e and Ohio
R.U.” Por de.scri})tion, .see Xo. 87.
Diameter, 10 indies.
108 Soi'l' Pl.ATE
Staffordshire. Printed in dark blue. “.MacDonou^li’s \ ic-
tory." h’or description, see \o. 01.
1 00 Pl.A'rTEK
Staffordshire; early Nineteenth Century (about 185^9).
Printed in dark blue. Border, sea shells. (Barber's Xo. I,
'I'ype b.) Centre, “\ iew of d'appan Zee, from (ireens-
bur<ih.” (irreensbur<i‘h is now known as Dobbs’ Ferrv. It
was here that A an Whirt, one of Andres captors, was buried
in 1828. Ilis funeral was the occasion of an almost na-
tional demonstration.
Mahers, Enoch Wood cV Sons.
lieno'th, 9'^4 ioehes.
110 Pu.vrTKK
Staffordshire; early Nineteenth ('entury (about 1825).
Printed in dark blue. Border, flower and leaf design. Cen-
tre, ‘‘View of Brooklyn Ferry” (mis-spelled “Brooklin”).
This view, which shows Fulton iMarket on the left, is from a
sketch by C. Burton.
Maker, A. Stevenson. Mark, “Stevenson,’’' imj).
Halsey, p. 159, Xo. 181. Barber, Xo. 259.
liCno’th, lOl/o inches.
111 Platter
Staffordshire; early Xineteenth Century. Printed in dark
blue. Border, flowers, scrolls, and eagles. (Barbers Xo.
Centre, “View of the Stevens’ Home, Hoboken, Xew
Jersey.'’ From a view by Birch, published in “Country
Seats of the United States'’ (1808).
Maker, Joseph Stubbs.
Mark {unusual) , “Stubbs Kent, Longport."
Length, 12 inches. Halsey, Xo. 92.
112 Platteh
Staffordshire; early Nineteenth Century. Printed in dark
blue. Border, flowers, scrolls, and eagles. (Barber’s No.
III.) Centre, “\*iew of iMendenhall Ferry" (Sciuiylkill
Biver, above Philadelphia, with the iNlendenhall Inn on the
left). From Birch’s “Country Seats” (1808).
Malxer, Joseph Stubbs. Mark, “d. z.," p. blue.
Halsey, p. 253, No. 179. Barber, No. 119.
Length, 16^ inches.
113 Platter
Staffordshire; early Nineteenth Century (about 1830).
Printed in dark blue. Border, rose leaf medallions. (Bar-
ber’s No. VI.) Centre, “View of the Alms House, New
\ ork.” Now Bellevue Flospital. One of the “Beauties of
America” series.
Makej-s, J. 4’ IF. Ridgicay.
Mark, “J. IF. Ridgecay,'’ p. blue.
Halsey, p. 98, No. 127. Barber, No. 93.
I.ength, 16^ inches.
114 Platter
Staffordshire; early Nineteenth Century (about 1825).
Printed in dark blue. Border, floral design. Centre, “Land-
ing of General Lafayette at Castle Garden in 1824.” From
a sketch by Samuel jMaverick.
Makers, J. S,' R. Clews. Mark, "‘Cleics,'' imp.
Halsey, p. 120, No. 154. Barber, No. 59.
Length, 17 inches.
Note. — The exceptional printing of this example of a
favorite subject deserves attention.
11 5 Platter
Staffordshire; early Nineteenth Century (about 1830).
Printed in dark blue. Border, large flowers, four groups,
two sorts. (Barber’s No. XXI.) Centre, “A View of the
City of Detroit, iMicli.”
Length, I8F2 inches.
Maker, unknoxen.
Halsey, p. 269, No. 58.
IK) Pl.ATTKU
Staffordsliirc ; early Xineteentli C’eiitury (about 185^5).
I’rinted in tlark blue. Jiorder, Iris, hollyboek, and grapes.
( Ibirber’s No. II.) Centre, “Southwest N'iew of La Grange,
the Residence of the .Marcpiis de Lafayette.” One of the
“k’rench ^'iews.”
MdkcrH, Enoch Wood <^* Sons.
Mark, Wood Sons r
Halsey, p. If31, No. lOb. Barber, }j. 31.
I .en ^•th, IHJ/o inches.
117 Pl.ATTER
Staffordshire; early Nineteenth Century. Pj'inted in dark
blue. Border, sea shells. (Barber’s No. I, Type b.) C'en-
tre, ‘*\'iew of Castle Garden and Battery, New ^7)rk.” This
view shows ('astle Garden when it was se})arated from the
niaiidand by a considerable stretch of water.
Makers, Enoch Wood Sons.
Mark, “IPoor/,” ini]).
Halsey, }). 109, No. 134. Barber, No. 14.
Ticnoth, inches.
118 Platter
Staffordshire; middle Nineteenth (’entury (about 1850).
Printed in red. Border, fruits, flowers, sheaves of wheat,
and all-seeing eye. Centre, “Child Leading a Lion; Tiger,
Goat, and Lamb TiVing Down Together.” Inscri})tion,
“Peace on Karth.” The so-called “Milleniinn” design.”
Makers, J. G. Meakhi. Mark, “(’hafaefoil,” ini]).
Barber, ]). 149.
119 Pl.ATTER
Staffordshire; early Nineteenth Century (about 1820).
Blue, ])rinted on white. Willow ])attern design.
Maker, Riley. Mark, Semi-China," p. blue.
Length, ITf'o inches.
120 Plate
Staffordshire; early Nineteenth Centurv. Cream ware.
Printed and ])alnted decoration. Border, leaf and berry
design in green, brown, red, and black. Centre, printed
portrait of Pike, with naval emblems and motto, “Be Al-
ways Ready to Die for Your Country.”
Probable maker, Davenport or Enoch Wood.
Diameter, 10 inches. Barber, No. 318.
121 Two Plates
Staffordshire; middle Nineteenth Century. Printed and
colored decoration. Border, colored relief pattern of leaves
and flowers. Centre, colored print of “Doctor Syntax Set-
ting Out for London.” Motto, “For My Dear Boy.”
Maker, unknown.
Diameter, 9 inches.
122 Plate
Staffordshire; middle Nineteenth Century. Printed and
colored decoration. Subject, “Syntax on His Travels.”
Diameter, 9 inches.
123 Two Plates
Staffordshire; middle Eighteenth Century. Variegated
glaze. Hexagonal shape. Reeded border. iMottled deco-
ration in brown, green, and yellow glazes.
Probable maker, Thomas Whieldon.
Diameter, 8 inches.
124 Plate
Staffordshire; middle Eighteenth Century. Variegated
glaze. Shaped border and ornamental edge. iMottled deco-
ration in brown, green, gray, and yellow glazes.
Probable maker, Thomas Whieldon.
Diameter, 9^/4 inches.
125 Tea Service
Staffordshire; early Nineteenth Century. Printed in dark
blue. Set of teapot, sugar-bowl, cream ewer, three cups,
and five saucers. Decoration, “Mount Vernon, the Seat of
the Late General Washington.” Washington in full uni-
form in the foreground. Eleven pieces.
M aker, unknown.
Halsey, No. 117. Barber, No. 289.
126
Tka axd Coffkk Sft
Staft'ordsliire ; c*urly XIneteentli Century. Printed in dark
blue. Tea-{)()t, coft’ee-j)ot, waste-bowl, six cups, and six
saucers. Decorated with subject of “Franklin’s ''I'onib.”
This is the same print wbicb, with the name of W ashington
substituted for that of Franklin, is known as “Lafayette
at the Tomb of Wasbino-ton,” or, erroneously, as “Jefferson
at Washington’s Tomb.” Fifteen })ieces.
Makers, Enoch Wood (^- Sons. Mark, “M ood.”
Hal seif. No. 80.
127 J'f.a axd Coffkk Skt
Staffordshire; early Nineteenth Century (about 1825).
Printed in dark blue. Tea-pot, coffee-pot, su^ar-bowl,
cream ewer, six cups, and six saucers. Subject, “Jefferson
at the Tomb of W'asbino-ton.” Jefferson is standing; at the
tomb, bolding- an open scroll in bis band. Sixteen })ieces.
Makers, Enoch Wood Sons. Mark, “ Wood."
Halsey, No. 220.
128 Pitcher
Staffordshire; early Nineteenth Century. Printed in dark
*■ ^
blue. Floral border. Body decorated with subject known
as “The American Heroes,” a J'ropby, with the names of
Wbishinn-ton, J'ruxton, and Paul .lones.
Maker, nnknoxcn.
Ileiyht, 6-;j inches. Barber, No. JJO.
129 Pitcher
Staffordshire; early Nineteenth Century. Printed in dark
blue. Shape, Barber's Type I\ . Floral border. Body
decorated with “View of City Hall, New York,” on one side,
and lew of New \ ork Insane ^Vsyliim” on the reverse.
Maker, Janies C lcics. Mark, “.S.,” imp.
Heio-ht, 61/2 inches. Halsey, p. 28, No. 142.
130 Pitcher
Staffordshire; early Nineteenth Century. Printed in dark
blue. Floral border. Decorated with “View of Erie Canal
at Albany” on one side, and “Erie Canal at Bochester” on
the reverse.
Helf^bt, 6 inches.
Halsey, Nos. 62 and 63.
131
Pitcher
Staffordshire; early Nineteenth Century. Pnnted in dark
blue. Floral border. Body decorated with subject known
as “The American Heroes” on both sides, a Trophy with the
names of Washington, Truxton, and Paul Jones.
M aker, unknown.
Height, Gl/'o inches. Barber, No. 340.
132 Pitcher
Staffordshire; early Nineteenth Century. Printed in light
blue. Floral border. Body decorated with “View of City
Hall” (similar to that on Stubbs’ ware) on one side, and
“View of Boston State House” on the reverse.
Maker, Joseph Stubbs.
Height, 4^ inches. Halsey, No. 32.
133 Pitcher
Staffordshire; printed in dark blue on white ground. Rose
border. Body decorated with “View of City Hall, New
York” (similar to Stubbs’ views), on one side, and “View
of Boston State House” on reverse.
Maker, Joseph Stubbs.
Height, 5^2 inches. Halsey, No. 32.
134 Pitcher
Staffordshire. Printed in dark blue on white ground.
Similar to foregoing (Nos. 132 and 133). These three
pitchers, forming a set, are quite exceptional in regard to
shape, decorative value of color, and carefulness of print-
ing.
Height, 7% inches.
135 Pitcher
Staffordshire. Printed in dark blue on white ground. Simi-
lar to foregoing. Set of three.
Height, 6^/2 inches.
136 Pitcher
Staffoi’dshire ; early Nineteenth (.'entury. Printed in dark
blue on white. Geranium leaf border. Jiody decorated with
“View of Boston Common, Showing State House, and with
Cows in Foreground.”
Makers, John Rogers Sons.
Height, 5 inches. Halsey, No. 30.
137 Pitcher
Staffordshire; early Nineteenth Century. Printed in dark
blue. Floral border. Body decorated in floral j)anels on
sides, with American arms and sixteen stars on front.
Height, 6 inches. Barber, No. 341.
138 Pitcher
Staffordshire; early Nineteenth Century. Printed in dark
blue. Floral border. Body decorated with subject, “Frank-
lin’s Tomb” (same print as “Lafayette at Washington’s
Tomb,” with the name altered).
Makers, Enoch Wood Sons.
Halsey, No. 80. Barber, No. 18.
Height, 7'%. inches.
139 Pitcher
Staffordshire; earlj' Nineteenth Century (about 1825).
Printed in dark lilue on white border. Inscription, “In com-
memoration of the Visit of Genl. Lafayette to the U. S. of
America, in the Year 1824,” and floral designs. Body
decorated with portrait of Lafayette, and portrait of Wash-
ington on reverse. In front, arms of U. S., “Republicans
are Not Alwaj-s Ungrateful.” Signed, “Richard Hall &:
Sons.”
Maker, Joseph Stubbs.
Barber, No. 343. Halsey, p. 81. No. 100.
Height, 7 inches. Diameter, 4 inches.
140
Pitcher
Staffordshire; early Nineteenth Century. Printed in dark
blue. Border, })anels of “Views of Erie Canal” and “Erie
C’anal Boat.” Body decorated with panels of commenda-
tory inscriptions. On one side, “The Grand Erie Canal” ;
on the reverse, “Utica in 1824.” In front are panels of
canal view and arms of United States, with twenty-three
stars.
Maher, unknoicn.
Halsey, p. 139, Xos. 59 and 60.
Height, 7 inches.
141 Soup Tureen
Staffordshire; early Xineteenth Century. Printed in dark
blue. Cover, floral design. Body decorated with “Views
of Louisville, Kentucky.”
Maker, unknown.
Halsey, p. 70, X"o. 110. Barber, X^o. 228.
Height, 10^2 inches.
142 Soup Tureen and Stand
Staffordshire; early X^ineteenth Century’ (about 1825).
Printed in dark blue on white. Borders of tureen cover and
stand, flowers, scrolls, and eagles. (Barber’s X"o. VH.)
Cover, scrolls and eagles in relief. Body and stand decor-
ated with views of “Fairmount, X^ear Philadelphia,” being
a view of Fairmount Park. Cover repaired.
Maker, Joseph Stubbs.
Halsey, p. 251, X’^o. 178. Barber, Xo. 123.
Height, 13 inches.
143 Ewer and Bowl
Staffordshire; earl}" Xineteenth Century (about 1825).
Printed in dark blue. Floral borders. Body of ewer and
inside of bowl decorated with subject of “Landing of La-
fayette at Castle Garden in 1824.”
Makers, J. 4' R. Clews.
Halsey, p. 120. Barber, X^o. 59.
PXver: 9% inches high. Bowl: 14 inches diameter.
lU
Sauck Turken, ('over, and Stand, with Ladle
Staffordshire; early Xiiieteeiitli Century. Printed in dark
blue. Jiorders of fruits and dowers. Panels of views of
“Luscoinbe, Devonshire, Kurland.” Series of “K. Hall’s
Select Views.” Pour [lieces.
Afaker, liichard Hall.
"Pureen : 5I/12 inches high. Stand: S|/0 inches long.
14-5 Sugar-bowl and Cover
Staffordshire; early Nineteenth ('entury. Printed in dark
blue. Porders, scroll and conventional shell design. Pody
of howl decorated with subject, “Connnodore MacDonough’s
\ ictory.” Two pieces.
Makers, Enoch Wood (§’ Sons.
Halsey, p. 193, No. 112. Barber, No. 4.
Height, ()% inches.
143 PowL
Staffordshire; early Nineteenth Century. Printed in dark
blue. Inside, floral border and vignette. Pody decorated
with subject, “P'ranklin’s Tomb.”
Halsey, No. 80. Barber, No. 18.
Diameter, 6% inches.
147 Cup and Saucer
Staffordshire; early Nineteenth Century. Printed in dark
blue. Porder of copper lustre. Decorated with subjects of
“Franklin’s Tomb.”
Makers, Enoch Wood (§- Sons.
Halsey, p. 137, No. 101. Barber, No. 18.
Cup; 2^ inches high. Saucer: .5% inches diameter.
148 Cur AND Saucer
Staffordshire; early Nineteenth Century (about 1830).
Pnnted in dark blue. Porders, flowers and scrolls. Cup
and saucer decorated with subject, “C’hristmas Eve,” from
the series of Wilkie designs.
Makers, J. ]{. Clercs.
Barber, p. 48.
Cup: 21/2 inches high. Saucer: inches diameter.
149 Two Cups
Staffordshire; early Nineteenth Century, Printed in dark
blue. Floral borders. Decorated with subject of “Frank-
lin’s Tomb.”
Halsey, p. 137, No. 101. Barber, No. 18.
3'^ inches and 41/^ inches diameter.
150 Cup
Staffordshire; early Nineteenth Century. Printed in light
blue on white. Border and lines of copper lustre. Decor-
ated with subject, “A View in Rome.”
Maker, unknoien.
Height, 21/4 inches ; diameter, 3^/2 inches.
151 Pi .ATE
Staffordshire; early Nineteenth Century. Printed in dark
blue. Sea shell border. (Barber’s No. I, Type b.) Centre,
“View of Battery, New York.”
Makers, Enoch Wood (§’ Sons.
Halsey, p. 103, No. 132. Barber, No. 14.
Diameter, 3^ inches.
152 Plate
Staffordshire. Printed in dark blue. Similar to preceding,
but with different border.
Diameter, 3^ inches.
153 Pepper Caster
Staffordshire; early Nineteenth Century (about 1825).
Printed in dark blue on white. Panelled with sprays of
apple blossom. Subject, “I.anding of Lafayette at Castle
Garden in 1824.”
Makers, J . R. Clews.
Halsey, p. 120. Barber, No. 59.
Height, 4 inches.
154
Mug
Stfirtordsliire ; middle XIneteeiitli Century (al)out 1850).
Printed in black on white. In.sci"i[)ti()n, i he Wav to
W'ealth Illustrated; or, Franklin's Poor Richard. Sub-
ject, “If You W'ould Know the W'orth of Money,” etc.
Makers, J . G. Meukin.
liarher. No. S^().
Ileio-ht, Inches.
155 Sauckk
Staffordshire; early Nineteenth Century. Printed in black
on white. Red line border. Subject of decoration, portraits
of Washin^'ton and Lafayette, with American ea^le.
Makers, Enoch Wood Sons.
Mark, “E. Wood Sons.”
Diameter, 4^/4 inches.
156 Mug
Staffordshire; early Nineteenth Century. Printed in black
on yellow ground. Subject of decoration, portraits of
W ashington and Lafayette, with American eagle.
Height, indies.
Makers, Enoch Wood Sons.
157 Dish
Crell ware; late Kightcenth Century (about 1790).
Printed in black on white ground. Rorder of apjiles, pears,
and grapes. At bottom, a ])ortrait of Washington, sur-
rounded by laurel wreath. A fine example of the semi-
})orcelanous ware made at Creil (Oise, France) by Eng-
» lish workmen brouglit from Staff'ordsliire towards the close
of tlie Eighteenth Century.
Mark, ”Cre’d,” imp.
Length, 13 inches.
158 Bowl
Staffordshire; late Eighteenth Century. Printed in black.
Border of floral sjirays around inside edge. At bottom,
“Victory Saluting Emblem of Liberty,” surrounded by
linked rings with names of thirteen States. Exterior of
bowl is decorated with floral sprays and with portrait of
ashington on horseback, with inscription, “His Excel-
lency General George Washington, Marshal of France and
( oiinnander-in-Cliief of all the North American Continental
h orces.” On tlie reverse is a design of an American soldier
with drawn sword, trampling on tlie British lion, surrounded
inscription, “By Virtue and Valour We Have Freed Our
Country, Extended Our , and Laid the Foundation
of a Great Empire.”
Mak cr, A ynsleij, of Lane End.
Probably painted by Sadler Green.
Diameter, inches. Prime's, No. 11.
159 — Pitcher
Staffordshire; early Nineteenth Century (about 1825).
Relief decoration in white on brown ground. Border of
grapes and vine leaves. On one side of body is a portrait
of Washington, “His Country’s Father.” On the reverse,
portrait of “Fayette, the Nation’s Guest.” In front, the
American eagle and sixteen stars.
Height, 4^ inches.
160 Pitcher
Staffordshire; early Nineteenth Century (about 1825).
Printed in black on white ground. Around the rim are two
inscriptions, (1) “In Commemoration of the Visit of Genl.
Lafayette to the U. S. of America in the Year 1824,” be-
neath which is a portrait of “Fayette, the Nation’s Guest,”
and (2) “First in War,” etc. With portrait of Washing-
ton, “His Country’s Father,” underneath. In front, the
arms of the United States, with sixteen stars, inscription,
“Republicans are Not Always Ungrateful,” and signature,
“Richd. Hall & Sons.”
Height, 6^/2 inches. Barber, No. 374.
161 Pitcher
Liverpool cream ware ; late Eighteenth Century. Printed in
black. Shape, Barber’s Type I. On one side is a group,
probably meant to represent Washington, Adams, and Han-
cock grasping a pole surmounted by a liberty cap. Inscrip-
tioii, “Union to tlie People of America, t'ivil and Religious
Liberty to all Mankind.” On the reverse is a s])ortin^' sub-
ject, “Coursing* the Hare.”
Height, 8 inches.
IGtiJ PiTCHEll
Liverpool cream ware; late Lighteenth Century. Printed
in black. Shape, Barber’s iype No. 1. (Jn one side, in-
scription, “Peace, Plenty, and lnde})endence,” supported l)y
female figures and surmounted by eagle on a cannon. On
reverse, a sliip under full sail, flying the American Hag. In
front, arms of the United States and sixteen stars.
Barber, No. 309.
Height, 9 inches.
163 Washington Pitcher
Liverpool cream ware; late Eighteenth Century. Printed
in black. Known as the “States” pitcher. On the body
is a portrait of Washington, with Justice and Plenty as
su[)})orters, suiTOunded by a ribbon border with the names
of fifteen states. On the reverse a })icture of an American
frigate Hying the United States Hag.
Prime's No. 5. Halsey, p. 9.
Height, 9 inches.
164 Washington Pitcher
Liverpool cream ware; late Eighteenth Century. Printed
in black. Known as the “Monument” pitcher. Floral bor-
der around rim. On the boiU' a])})ears an obelisk, on which
is the portrait of Mbishington, with the date of his birth
and death. "Phis is surrounded by weejiing willows, a fe-
male Hgure in tears, and the American eagle, with bowed
head. Above is the inscription, “Washington in Glory" ;
below, on a black ground, “America in Tears.” On an oval
panel beneath the handle, the inscription, “A iMan With-
out Example. A Patriot \N'ithout Re])roach.” On the ob-
verse, an American frigate H^'ing the Ignited States Hag.
with sixteen stars, printed in black and rudely ])ainted.
“South Carolina,” as an inscription. In front, tlie initials
“J. G.,” in ornamental script, with the arms of the United
States and sixteen stars below.
Prime's, No. 2. Halsey, p. 9.
Heiglit, lOl/f. inches.
165 Washington Pitcher
Li vcrpool cream ware ; late Eighteenth Century. Printed in
black. Known as the “States” pitcher. On one side of the
body is printed the portrait of Washington, surrounded by
the ribbon border with the names of the States, as in No.
163. On the reverse, the “Peace, Plenty, and Independ-
ence” inscription, as in No. 162. On the front, beneath
the lip of the pitcher, in an oval panel, are the names,
“Phillip & Jane Gilkey,” evidently the original owners of
the pitcher.
Prime's, No. 5. Halsey, p. 9.
Height, 10 inches.
166 Washington Pitcher
Liverpool cream ware ; late Eighteenth Century. Printed
in black. Known as the “Map” pitcher. On the body ap-
pears a map of the United States and Canada, guarded by
Washington and Franklin, with an angel blowing a trum-
pet and carrying a scroll inscribed “Washington.” All
this within an oval border of laurel leaves. On the reverse
appears a print of the “Three Patriots,” as in No. 161.
Height, 9 inches.
167 Cup and Saucer
Liverpool lustre ware; early Nineteenth Century. Printed
in red. Border and line of copper lustre. Views of Ful-
ton’s first steamboat, the “Claremont,” and the “Half-
Moon” entering the Hudson, and also the American eagle.
Cup: Height, 23/^ inches. Saucer: Diameter, 5^/4 inches.
From the Collection of William C. Prime, LL.D., Author
of “Pottery and Porcelcdn.”
168 Cream Ewer
Staffordshire lustre ware; early Nineteenth Century. Pink
lustre decoration, over pattern in relief.
Height, 5^ inches.
169 Teapot
Staffordshire lustre ware ; carl}^ Nineteenth Century. Body
of light buff-colored glaze, with raised pattern decorated in
dark blue and copper lustre.
Height, 6 inches.
170
(’hocus ok Hough Tot
Staffordshire lustre ware; early Nineteenth ( entur\' (about
18f‘3()). (’over pierced for flowers (H‘ bulbs. Decoration in
purple lustre on white and li^ht blue grounds.
Height, 9 inches.
171 Two C'ream Ewkks
Staffordshire lustre ware; Nineteenth (’entury. 'i'he bodies
of rou^h ^'ranite ware. Handles and rims of copj)er lustre.
Heio'lit, a inches and inches.
175^ (tohi.kt
Staffordshire lustre ware; Nineteenth Century. Decoration
of colored roses and leaves in relief on a brown o-round,
between beaded border. Interior, dark chocolate ^laze.
Toot and stem in co})per lustre.
Height, 4^/4 inches.
173 (’he AM Ewer
Staffordshire lustre ware; early Nineteenth Century. The
rim, lip, and foot of copper lustre; the body of yellow glaze
with panels of white, on which are printed subjects of the
‘‘Surrender of Cornwallis,” with inscription, and ])ortrait of
Lafayette, crowned with laurel.
Barber, No. 35bb.
Height, 41/4 inches.
174 Cream Ewer axd ('over
Staffordshire lustre ware; early Nineteenth (’enturv. The
body of a dark green glaze, with figure subjects of “Girl
Reading” in relief and colored. Handle, rim and foot arc
in copper lustre.
Height, 5I/4, inches.
175 Cream Ewer
Staffordshire lustre ware; early Nineteenth (entury. Rody
and handle of dark copper lustre, with band of parti-colored
floral decoration on white oround.
Height, 5 inches.
176 Vase
Staffordshire lustre ware; early Nineteenth Century.
Chocolate-colored glaze, with copper lustre rim and foot.
Body of lighter-colored lustre, with conventional decoration
of red flowers, green leaves, and white line scroll work.
Height, 5^ inches.
177 Pitcher
Staffordshire lustre ware; early Nineteenth Century. Body
of copper lustre, with band of pink and white marbled deco-
ration.
Height, 5^2 inches.
178 Bowl
Staffordshire lustre ware; early Nineteenth Century. Deco-
ration of colored roses and leaves in relief on a brown
ground, between beaded borders. Rim, foot, and interior
of copper lustre.
Height, 1 inches ; diameter, 5% inches.
179 Cream Ewer
Staffordshire lustre ware; early Nineteenth Century. Mod-
eled as an imitation of contemporar}'- silver ware. Silver
lustre.
Height, 4 inches.
180 Sugar Bowl axd Cover
Staffordshire lustre ware; early Nineteenth Century. Round
form reeded decoration. Plain silver lustre on a chocolate
body.
Height, 4 inches.
181 Pitcher
Staffordshire lustre ware; early Nineteenth Century,
lustre on a white body.
Height, 6Y2 inches.
Silver
182 Bowl
Hunl paste; Kl^liteenth (’entury (about 1780). Pseudo-
Lowestoft. Kiiainel decoration of Oriental cliaracter in
colors on a wliite ground.
Ileiglit, 2 inches; diameter, 41/4 inches.
183 Plate
Canton cliina; Cliinese, Kighteenth ('entury. An example
of the celebrated “Cincinnati Cliina,” “which not only
marks the first introduction into Ameihca of the patriotic
emblem as a decoration on jiorcelain, but possesses the dis-
tinction of having once belonged to General \\ ashington’
(Halsey, p. 297). Tradition for many years had it that
the set to which this jilate originally belonged was presented
to Washinjxton bv the members of the Order of the Cincin-
nati. Mr. Halsey, however, has very definitely j)roved that
the set was brought from ('hina by ('ajitain Samuel Shaw,
of Boston, who was the first secretary of the Order of the
Cincinnati. On one of his voyages to Canton, ('aj)tain
Shaw had this set decorated by a Chinese artist with
the insignia of the Society. The china was brought over in
178.'), and })i’esented to Washington by Captain Shaw. The
set was mentioned in the will of Martha Washington, and
was left, at the death of her grandson, George \\'ashlngton
Parke Custis, to his daughter, Mary ('ustis, wife of (yen.
Robert K. I.ee. Some sixty pieces of the set were, at
the outbreak of the war, and at ]Mr. Lee's departure from
Arlington, seized with other Washington relics by the
federal forces, and are now in the National Museum at
Washington. The plate is of Canton china with a deej) bor-
der of blue on the white ground, and with the Cincinnati in-
signia painted in colors in the centre.
Size, 9^0 inches.
184 Plate
Stafl'oi’dshire ; middle Kighteenth Century. Karlv salt-
glazed ware. Shaped border of basketwork desi<rn in relief
and colored in red and dark ^reen. In centre, a floral bou-
quet in colors. This plate was in the collection of R. Soden
Smith, the eminent English authority on Ceramics.
Size, 9Y2 inches.
185 Teapot and Sugar-bowl
Leeds ware; early Nineteentli Century. Ground of white
glaze, decorated with floral sprays in red, blue, green, and
black.
Teapot: 6^/0 Inches high. Sugar-bowl: 6 inches high.
186 Sauce Tureen, Cover, and Ladle
Liverpool ware; middle Nineteenth Century (about 1845).
Printed in black. Decoration of “Views of New York Har-
bor” and “Scenes on the Hudson.”
Height, 6 inches.
187 Teapot
Liverpool ware; middle Nineteenth Century (about 1845).
Pnnted in black. Allegorical designs of the “Temperance
Society,” Avith inscriptions, “Firm as an Oak,” “Sobriety,”
and “Domestic Comfort.”
Height, 7 inches.
188 Tray
Early Staffordshire salt-glazed ware ; middle Eighteenth
Century. Known as “Crouch” ware. Decoration of
panels of conventional foliage and “Chinoiserie” subjects.
Length, 4I/4. inches.
189 Pitcher
Staffordsliire salt-glazed Avare; late Eighteenth Century.
Stands on three claAr feet springing from grotesque heads.
Floral decoration in relief. Plain Avfliite glaze.
Height, 4% inches.
190 Bi'TTKK-DISH and C'over
Early Statt'ordsliire salt-^Ia/cd ware; middle Eighteenth
C entury. Known as “C’roucli” ware. Shaped shell design,
modelled in relief.
Height, 4VL’ inches; length, 7^2 inches.
191 liUTTEll-mSH ANU TkAY
I'.arlv Staffordshire salt-glazed ware; middle Eighteenth
('entiiry. Known as “('rouch” ware. Pierced design, with
elaborate “silver ware mould” jiattern in relief. 1 wo
handles.
19ii Chocolate-pot axo Cover
l*seudo-Lowestoft ware; late Eighteenth Century. Twisted
handle and floral decoration in colors on white ground. A
good specimen of so-called Lowestoft ware. Its chief in-
terest, however, lies in the fact that it was presented by
General \7in Ness to Dolly Madison, who bequeathed it to
her niece and adojited daughter, Anna Payne, afterwards
Mrs. fJ. H. C'austen. By her it was bequeathed to her
daughter, jMrs. Mary C'. Kunkel. A sworn statement to
this effect, subscribed to by Mrs. Kunkel in 1899, accom-
])anies this chocolate-})ot.
H eight, inches.
193 Mit.k-pitcher axu Cover
Xidcrville ware; late Eighteenth C’entury (about 1780).
Hard paste; fine white glaze, decorated with wreaths of
roses, gold and bleu dc roi, with the interlaced cypher,
“G. W .,” in gold. A good example of the Xiderville fac-
tory, which in 1780 })assed into the hands of General de
Custine. The interest of this example lies in the fact that
it (as well as Xo. 19^^) was presented by ^lartha Wash-
ington to Dolly Madison, who bequeathed it to her
niece and ado])ted daughter, Anna Payne, afterwards Mrs.
J. H. Causten. By her it was bequeathed to her daugh-
ter, Mrs. Mary (’. Kunkel. A sworn statement to this effect
(referring to the pitcher as “Dresden”) subscribed to by
Mrs. K unkel in 1899, accom])anies the pitcher.
Mark, “C. C.,” interlaced, }). black.
Height, f)% indies.
• 194 Teapot axd Lid
Psoiulo-Lowcstoft ware; late Kigliteenth C'entury. A good
specimen of the so-called T^owestoft ware. Twisted handle,
gilt knob. Festoon decoration in red and gold, with floral
baskets on sides.
Height, 6 inches.
195 Platter
Pseudo-Lowestoft ware; late Eighteenth C’entury. A most
unusual specimen of Lowestoft ware, as paste and glaze un-
doubtedly proclaim it to be. The border is of pierced de-
sign, with a broad band of bleu de roi pique, with gold
stars. In the centre, within an ornamental border of blue
and gold, is a circular painting in sepia, “View of a Coun-
try IMansion.” This mansion, which appears on plates and
platters in other collections, is generally supposed to be the
home of the Southern planter who imported this set, after
having had it painted to his order.
Length, 11 inches.
196 Teapot
Staffordshire ware ; late Eighteenth C'entury. Salt glazed.
White ground, decorated with floral subjects of an Oriental
character. Shaped handle and reeded spout. Stands on
three claw feet springing from grotesque masks. Evidently
from same pottery as No. 189.
Height, 4 inches.
197 Teapot axd Lid
Staffordshire ware ; late Eighteenth Century. Salt glazed,
in dark purplish red, with quatrefoil-shaped panels showing
the white body and decorated with coarsely painted floral
subjects in colors. Rustic handle.
Height, 3^ inches.
198 Teapot axd Lid
Staffordshire ware; Eighteenth Century. Cream glaze, mot-
tled in a “Sponged” pattern with dark gray. Twisted handle
and floral knob.
Height, 41/'2 inches.
199
Teapot and Lid
Staffordshire; late Liyliteenth Century. “Tortoise-shell”
gla/e on cream body, with relief decorations. Bird with
outstretclied wings forming knob. Rustic handle. On
three claw feet with grotesque masks,
n eight, 4 inches.
200 Teapot
Staffordshire; middle Eighteenth Century. Sliaped as
double shell, with lion knob and serpent handle. Marbled
or “Combed” glaze.
Probable maker, Aaron Wood.
Height, 6 inches.
201 Teapot
Staffordshire; middle Eigliteenth Century. Of the well-
known “Cauliflower” type of Whieldon ware. Green and
brown glaze, with modeled shell for knob, and rustic handle
and spout. ,
Maker, Thomas Whieldon.
Height, 5^2 inches.
202 Peppek-castek
Staffordshire; late Eigliteenth Century. Variegated
“Sponged” pattern in green, yellow, and brown glazes on
white body.
Height, 3 inches.
203 Pepper-caster
Staffordshire; late Eighteenth Century. Variegated
“■Sfionged” })attern in green, yellow, and brown glazes on
white body.
Height, 4I/0 inches.
204 \"ase and Cover
Staffordshire; late Imghteenth Century, ^'ariegated “Mar-
bled” pattern in green and brown glazes on cream-colored
body.
Height, 3^ inches.
205
Cup axd Sauceii
Staftordsliirc ; late Eigliteentli Century, ^"ariegated “Tor-
toise-shell” pattern in green and brown glazes on cream-
colored ground.
('up: 3 inches high. Saucer: 4^ inches diameter.
206 Cup axu Saucer
Staffordshire; late Eighteenth Century. Variegated “Tor-
toise-shell” pattern in brown glaze on cream-colored ground,
('up; inches high. Saucer: 4*^^ inches diameter.
207 ('up axd Saucer
Staffordshire; late Eighteenth Century. Variegated “Tor-
toise-shell” pattern in brown glaze on cream-colored
ground.
Cup: 1% inches high. Saucer: 4^/4 inches diameter.
208 Pair of Candlesticks
American ware; middle Nineteenth Century. Examples of
the so-called “Rockingham ware” made by Lyman Fenton
& Co. at the Bennington, Vermont, factory about the mid-
dle of the last century.
Height, 8 inches.
209 Tea-kettle
American ware; middle Nineteenth Century. Variegated
pattern in green and brown glazes. Probably made at Ben-
nington, Vermont, by Lyman Fenton & Co.
Height, 8 inches.
210 Pair or Lions
Familiarly known as the “Bennington Lions” ; middle Nine-
teenth Century. The lions are in a variegated brown glaze,
the pedestals in a “tortoise-shell” pattern of brown glaze.
Attention was first attracted to these lions by Dr. Prime,
in his “Pottery and Porcelain,” p. 404. They are the most
notable output of the faetorv in Jk‘nnin^’t(ni, \ ennont,
which was estaf)lishe(l in 1847, and was the first in America
to atempt to make figures of men and animals, 'I'liis pair
is in most exceptional condition,
Mark-, *^Lijman Fenton do., Fenton enamel,
patented, 1849, liennington, 17,,” imp.
Height, 9V2 iindies.
211 Aximal FioruK
American ware; middle Nineteenth C'entury. Seated cat,
dec(jrated in variegated })attern of green, brown, and yel-
low glazes. Probably made at Pennington by Lyman Fen-
ton tK: Co,
Height, 4^/4 inches,
212 iMii,K-jrG
Staffordshire; early \inetecnth ('entury. Formed in the
shape of a cow. Animal in tortoise-shell glaze on a green
stand.
Probable makers, liaile/j cV Batkin, of Lane End.
Height, 4*/C inches; length, 7C7 inches,
213 FicruE
Staff'ordshire ; late Kighteenth Century, Cow and calf,
IN'hite glaze, with brown spots; base of “tortoise-shell”
glaze. Both horns damaged.
Height, () inches,
214 Figure
Staff'ordshire; early Nineteenth Century, Couchant fallow
deer, in brown and green glazes.
Height, 0 inches; length, h inches,
215 Figure
Staffordshire; late iMghteenth C enturv, ( iipid seated on
lion. In white, brown, and blue ulazes,
Prob(d)le maker, ^eale, of Hanley.
Height, 8 inches.
216
Figure
StafFordsliire ; middle Nineteenth Centur3^ Grotesque figure
of negro, in variegated green, brown, and chocolate glazes.
Height, 6 inches.
217 Figure
Staffordshire ; late Eighteenth Century. Venus and dolphin.
Height, 6^ inches.
218 Figure
Staffordshire; late Nineteenth Century. Semi-porcelainous.
jNlan in Eighteenth Century costume, carrying flower-pot
with aloe-plant.
Height, 6^2 inches.
219 Figure
Staffordshire; Eighteenth Century (about 1755). “Hope,
with Anchor.” Painted in green, yellow, blue, and brown.
Height, 7^4 inches.
220 Figure
Staffordshire; Eighteenth Century (about 1775). “A
German Soldier on Horseback.” This has been called a
representation of one of the “Dettingen Troopers” of George
I. It is, however, of later manufacture than this would
imply, and may possibly have been intended as a represen-
tation of Frederick the Great, made for circulation on the
Continent in the last quarter of the Eighteenth Century.
It is said to have come from the Restoration House, near
Rochester, Kent, which served Dickens as the original of
the “Nun’s Home” in “Edwin Drood.”
Height, 14 inches.
221 Bust of Washington
Staffordshire; late Eighteenth Century (about 1790).
Bust of Washington, with blue coat, red patterned waist-
coat, and black cravat, standing on marbled base.
Mailer, Enoch Wood.
FlCiUKE
Staffordshire; late I'lighteeiith ('entiiry. l‘'ull-lengtli statu-
ette of Jk*ii jaiiiiii Franklin. Jly an oversight •)! the
inakei’, this Is inseril)e<l in gilt letters, “'(ieneral Wash-
ington” (vide J’riine, “Pottery and Porcelain,” |). 343,
for a similar instance). d'hls exainj)le is uncolored, ex-
cept for the gold pattern on the waistcoat, and the hair
and face, which are in natural tints. d'his statuette
was modelled by F'moch Wood, and proved so })opular that
it was extensively pirated hy other Staffordshire })otters.
Height, 15 inches.
Fig I KK
Staffordshire; late Flighteenth C'eiitury. Full-length
statuette of Penjamin Fi'anklln. Plue coat, with gold but-
tons; tloral-patterne<l waistcoat, gold-striped knee breeches,
and black shoes. A contem[)orar3' piracy of Knoch \\'ood’s
statuette.
Height, 14^/4 inches.
5^J^4 Ckka.m Ewer
Jilack Pasaltes ware; late Imghteenth ('entui’v. Medallion
])ortralts on the side of the Prince of Wales and Duke of
^ Ork, co|)led from those of W edgwood.
Probable makers, Xeale ($• Palmer.
Height, 4t/o Inches.
22.5 ('ream Ewer
Black Basaltes ware; late Eighteenth C'entury. Relief deco-
rations of “Sportive Love,” “Maria and Her Dog,” and
“Hourbonnais She})herd.”
Probable maker, IF. Adams, Tunstall.
Height, 4 inches.
22b*
Bowt.
Black Basaltes ware; late Eigliteenth ('enturv. Decorated
with reliefs of “Maria and Her Dog,” “Sportive Love,” and
“ Bourbon nais Shepherd.”
Probable maker, IF. Adams, Tunstall.
Height, 2’/^. inches; diameter, b-F} inches.
£27 Teapot and Cover
Black Basaltes ware; late Eighteenth Century. Hooded
female figure as knob of lid. Body of vertical reeded pat-
tern, with band of relief decorations, “Playing Children,”
“Liberty Sacrificing,” “Peace and Plenty,” etc.
Maker, E. J. Birch, Hanley.
Height, 7^ inches.
£28 Pitcher
American ware; Nineteenth Century (about 1830). Handle
formed as greyhound, body of dead hares, and game-birds.
Brown glaze over gray stoneware body.
Probable makers, American Pottery Co., Jersey City.
Height, 7 inches.
£29 Pitcher
American ware; middle Nineteenth Century. Body deco-
rated with full-length portrait of “Washington as a
Mason,” in floral framework. Dark brown irregular glaze
over buff body.
Height, 10 inches.
£30 Pitcher
American ware; Nineteenth Century. Grape-vine border in
relief around rim. Body decorated with fine engine drawn
by a volunteer fire brigade. Handle formed as hound.
iMottled brown glaze over dark stoneware bod}'.
Mark, ^'South Amboy, N. J ."
Height, 9 inches.
£31 Coffee-pot and Cover
American ware; middle Nineteenth Century. Octagonal-
shaped body and liexagonal-shaped spout. Dark brown
irregular glaze over cream-colored body.
Mark, “Lyman Fenton Co., Fenton's enamel,
patented 1844, Bennington , Vt.," imp.
Height, 12^2 inches.
1
PlTCUKH
Aniericuii ware; middle Nliieteentli Century* Handle
formed a.s hound. Jlody decorated with .sportinj^ subjects
in relief. Irre^adar dark brown ^laze over cream-colored
body.
Makers, American Pottery Co., Jersey City, J.
Height, 11 inches.
238 Pair of Circflar Dishes
Canton china; blue and white. According’ to the documen-
tary evidence which accompanies them, these dishes be-
longed to George ^^hlshing•ton, and formed a portion of the
pieces reserved by the owners from the collection sold to
the Cnited States Government in 1873 by t'olonel H. L.
Dangerfield liCwis. They were inherited by Colonel Lewis
from his grandmother, Eleanor Parke Custis Lewis (Nelly
Custis), who liad inherited them from her grandmother,
Martha Washington. Colonel Lewis’ sworn attestation
to their genuineness accompanies these pieces.
Diameter, 10 17 inches.
234f Goblet
Glass; French, Fiighteenth C'entury. Cut and engraved.
Straight sides decorated with a Stag-hunting scene in
intaglio-cutting. Hottom, of hobnail cutting. Accord-
ing to the sworn attestation of ('ol. IL L. Dangerfield
Lewis (dated 1892), which accompanies it, this glass was
jiresented by Lafayette to General Wasliington. It was
left by Martha ^^'ashington to lier grandchild. Fdeanor
Parke Custis Lewis (better known as Nellie Custis), from
whom It was iidierited by her grandson. Colonel Ia'wIs.
Height, 4 inches.
235 ^^'HISKEY Flask
American glass; Nineteenth Century. Green moulded glass.
On one side is a portrait of Andrew Jackson, and on tlic
other a portrait of \\’ashington.
Height, 5*0 inches.
236
Whiskey Flask
Brown moulded glass ; Nineteenth Century. On one side
appears a portrait of Taylor, with the inscription, “Gen.
Taylor Never Surrenders”; on the other, a portrait of
Washington, Avith the inscription, “The Father of His
Country.”
Mark, ^‘Dyottville Glass Works, Philad’a,” in raised letters.
Height, 8 inches.
237 Bottle
Nineteenth Century. White glass, in the form of a Revo-
lutionary soldier, resting one hand on his sword, the other
on a cannon. Inscribed, “1876,” in raised letters.
Mark, ‘‘‘‘Delizy et Doistan Fils, Paris F
Height, 11 inches.
238 Statuette
Wax statuette of Washington, cast in a mould. Probably
from the plaster-of-Paris moulds used in the Staffordshire
potteries for casting earthenware figures.
Height, 15 inches.
239 Goblet
Ruby glass ; Bohemian, Nineteenth Century. Cut and en-
graved. “View of the New York City Hall” cut through,
in intaglio, to the white body of the glass.
Height, 7^2 inches.
240 Vase axd Cover
Ruby glass; Bohemian, Nineteenth Century. Cut and en-
graA'ed. Decoration of a Hunting Scene, witli conven-
tionalized grape and vine leaf scrolls engraved in intaglio.
Height, 16 inches.
EVENING SESSION
Friday, May Gth, 1910
A'r TIIK AMFKICAX AK9' GALLKKIFS
HKDJXNIXG AT 8 o’cLOCK
Mkdadliox Portraits
l''rench ; Eighteenth Century. Tliree profile jiortruits in
white Sevres liiscuit ware, of Franklin, Uousseau and W ash-
ington {?), mounted on black velvet background. In con-
temporary metal frame.
Size, 4 inches by 4% inches.
^^412 SXUFF-ROX
French; late Eighteenth Centurv. Circular snuff-box of
wood japanned in black, with varnished sti])ple-})rint form-
ing decoration of lid. Print shows portraits of Franklin,
Rousseau, and Voltaire, with inscrijition, “Ee Flambeau de
I’Univers,” and names, with dates of births and deaths:
“P’ranklin, Xe en ITOb; Mort en 1790. J. J. Rousseau,
N^e en 1712; Mort en 1778. Voltaire, Xe en 1694; Mort en
1778.”
Diameter, SYi inches.
243 Medali.iox Portrait
Eighteenth C'entury. Portrait in carved ivory, mounted
on a tortoise-shell ground, of Lafayette. In finely chased
contemporary ormolu frame.
Diameter, including frame, 4^/4 inches.
244 Two Stamps
Phiglish revenue stamps for Two shillings and Sixjience each.
These were the documentary stamps enjoined as a tax bv
the hated Stamp Act, passed bv the Crrevdle ^linistrv in
1765. On the back of each is a “paster” bearing the Roval
cypher and the initials “G. R.” In black frame.
245 Medallion Portrait
Eighteenth Century- Portrait in carved ivory, mounted
on a tortoise-shell ground, of General Washington in uni-
form. In finely chased contemporary ormolu frame.
Diameter, including frame, 41/4 inches.
246 Portrait ^Medallion
White biscuit ware; early Nineteenth Century. Profile por-
trait of Louis XVIII wearing the order of the “Saint
Esprit.” Mounted on black velvet background. Framed
in contemporary ebony frame, with ormolu mounts.
Size of oval, 314 inches by 2% inches.
247 Miniature Painting
Late Eighteenth Century. Circular miniature on ivory of
Liberty, with Phrygian Cap in relief, surrounded h}^ in-
scription, “Where Liberty Dwells, There is ]My Country.”
The ivory is mounted on a tinsel background, over which
is a convex oval glass with a diaper and imitation engine-
turned pattern painted in white on the inner surface. The
whole framed in a metal frame with repousse ornamentation.
Size, 5 inches by 4^ inches.
248 Oil Painting
I^ate Eighteenth Century. iNIiniature sketch in oil of Tous-
saint I’Ouverture, attributed to Goya. In ebonized pear-
wood frame, with ormolu mount.
Size, 2 inches by 244 inches.
249 Portrait Medallion
Nineteenth Century. Circular medallion in red terra-cotta.
Profile portrait in relief of Beniamin Franklin. Signed,
“L. Riche.”
Diameter, IOI4 inches.
250 Medallion Portrait
Nineteenth Century. Circular medallion of white plaster,
with portrait of Benjamin Franklin in profile. In gilt
frame.
Diameter of medallion, 4^4 inches.
251 Oil Painting
l^arlv Xineteentli ('entiirv. Portrait of asliin^ton in
Uniform, witli the Order of the Uincinnati, standing on a
})edestal inscribed, “First in Whir, First in Peace, and J'irst
in the Hearts of His ('ountry-” d lie picture is in-
scrilied “'^I’o tlie Honorable the Society of the ( incinnati.
'Phis is the original painting by John Eckstein, from which
he engraved the well-known stipjile jirint of this subject.
No. 9()8 in the ('atalogue of engravings. It was proliably
painted soon after Washington’s death. On canvas. In
gilt frame.
Size, -17 ’/h inches by Jd’/j inches.
252 Pastei.
P’rench ; Eighteenth Century. Oval portrait in jiastel of
Lafayette as a young man.
Size, 18 inches hy 15 inches.
253 Medallion Pohtkait
French; Nineteenth Century. Portrait in biscuit ware,
white on blue ground, of George Washington. 'Phis was
one of the imitations of Wedgwood’s jas])er ware, made at
the Sevres factory in the early part of the Nineteenth Cen-
tury. This particidar piece seems to belong to the Second
Royal Plpoch of the factory, namely, from 181 J to 1824.
In contemporary ormolu frame.
Mark', “.S'c7TC.9,” imp. Double I>, p. red.
Diameter, 9 inches.
Note.- — I'he impressed Sevres mark is so rare that it was
probably only used on these IPcdgicood imitations as
a suggestion of Wedgwood's oxen impressed mark.
254 Stipple Poktr.vit
Plighteenth Century. Portrait of Lafayette in uniform.
Engraved in stipple by F. Bolt, 1796. In ormolu frame.
Size, Gfg inches by 51/4 inches.
255 Git. Painting
Early Nineteenth Century. Portrait in oil on canvas of
George \^ ashington, by an unknown painter (probablv
Clarkej who flourished about 1800). This was evidently
painted about the time of Washington’s death, most likely
as the foundation of a popular engraving. It was in the
})ossession of one family from 1800 to the time of its pur-
chase b}^ Mr. Holden. This portrait was engraved in mez-
zotint by S. Arlent Edwards in 1900, and forms the frontis-
piece of “Charles Henry Hart’s Engraved Portraits of
Washington.” A copy of ]Mr. Arlent’s mezzotint accom-
panies the painting. In gilt frame and black glass mount.
Size, 10 inches by 8 inches.
256 Mirror
American ; Eighteenth Century. Convex mirror in carved
wood and gilt frame, with metal mounts. On back are
some printed verses, with date 1760.
Size, 7^4 iiicbes by 5)4 inches.
257 Oil Painting
Eighteenth Century. Portrait in oil on panel of Benjamin
Franklin. In gilt frame.
Size, 6 inches b}'^ 5 inches.
. 258 Marquetry Panel
American ; early Nineteenth Century. Portrait of Wash-
^ ington, in marquetiy inlay on walnut panel. Framed in
mahogany.
Panel, 10^ inches b}'^ 7 inches.
259 Silhouette Portrait
American ; Eighteenth Century. Portrait in black silhou-
ette, heightened with white, of George Washington in pro-
file. Signed, “S. Folwell, Pinxt, 1791.” Folwell made
several of these silhouette portraits during Washington’s
presidency, but they are onl}" very rarely met with. In
gilt frame.
Size, 3% inches by 2% inches.
260 PORTIIAIT MkDALLIOX
01(1 Wedgwood; bt-dore 1760. Hbie and wliitc* jasper ware.
Profile portrait of (ieor^e VVasliiii^’ton. Prom j)rint repre-
senting' him in the style of a Roman empoioi.
Mark, Wedgu'ood lientley."
Si/e, 2 inches hy 21A Inches.
261 Portrait Medai.liox
Wed<»wood; Nineteenth (’enturv. Rlue and White jasper.
^ ^ *■
Three-(iiiarter face portrait of Goethe.
Mark, Wedgxcood."
Si/e, 4% Inches hy 6% inches.
262 Portrait Medai.liox
Wedgwood; Nineteenth Century. Dark blue dip and white
jasper. Profile })ortrait of George Washington, with tie,
wig, and epaulettes. (After a portrait hy Joseph Wright,
painted between 1763 and 1790).
Mark, "’Wcdgicood.''
Size, 3^/4 inches hy 2% inches.
263 Pin Tray and Cover
\\Tdgwood ; Nineteenth Century (al)out 1640). Jihie and
white jasper. Subjects in relief of “Marriage of Cu])id
and Psyche,” “Hymeneal Sacrifice,” “Playing Cupids,”
etc. 'Phis box, as certified b}' an accompanying document,
was formerly the ])roperty of Dolly iMadison, by whom it
was bequeathed to her niece and adopted daughter, Anna
Payne (afterwards Mrs. James H. Causten). From her it
was iidierited by her daughter, Mrs. Kunkel, who makes a
sworn affidavit to the above effect.
Size, 2 inches by 3-74 inches.
264 ('ard Case
Chinese, (’arved teakwood. This card case formerly be-
longed to Dolly Madison, by wliom it was bequeathed to
her niece and adopted daughter, Anna Pavne (afterwards
Ml •s. James H. ('austen). From her it was inherited bv
her daughter, iMrs. Mary ('. Kunkel, who makes a sworn
affidavit to the above effect. The case contains a card with
“Mrs. Madison,” in Dolly iNIadison's handwritiiiir.
Size, 2 Inches hy J-Vj inches.
265 Razor
Horn handle; early Nineteenth Century. On one side ap-
pear the portraits of Washington and Commodore Preble
(the hero of the bombardment of Tripoli) ; on the other,
portraits of Voltaire and Rousseau.
Length, 6 inches.
266 Clasp Knife
Made in Sheffield, England ; early Nineteenth Century.
Horn handle. Mounted in white metal. With portrait of
Washington, surmounted by label with “Liberty” inscribed.
Length, 5^ inches.
267 Snuff-box
French; early Nineteenth Century. Circular shape, of black
composition. Turned and beaded pattern. On lid framed
in ormolu under glass, a miniature on ivory of Lafayette, in
civilian costume.
Diameter, 3 inches.
268 Portrait Medallion
Old Wedgwood; late Eighteenth Century (about 1785).
Blue wash and ivhite jasper. Oval. Portrait of Marquis
of Stafford. Modelled by Flaxman. Wedgwood’s Cata-
logue of 1779.
JIark, ''Wedgwood, New 3681.” Inscribed, "F.”
«
Note.- — These marks are unusual and interesting. It is
only very occasionally that a piece hearing Flaxman^ s
initicd is met with. The number bears reference to the
composition of the blue wash. 3681 is a number fre-
quently fomid on blue jasper pieces, and the addition of
"New” suggests that this piece is an example of one of
those color experiments Wedgwood teas constantly
making.
Size, 3^2 inches.
269 Portrait
French; Eighteenth century. Miniature, on veined onxy
en camaieu of Benjamin Franklin. Houdon type. In con-
temporary circle. Ormolu frame.
Size, 31/2 inches.
Lockkt ou Pkxdaxt
l‘'i'fiicli ; Ccnturj. (jold-mounted. ( oiitairis
undci’ cryj'tal u niliiiatiirf on ivory. Portrait of lieiijainin
l-'raiikliii. Duplcnis type'.
Si/e, pyj. inches.
POUTUAIT
J’hiaiiiel iiiiiiiaiire. I’orti'ait of Gc‘orge W ashington in gold
frame. I’ainted by W'illiam Jlircli. liircli was an Pinglish
painter wlio came to America in 1794 with an introduction
to William Pingham from Sir Benjamin West. He died
in Philadel[)hia in 18-‘34. 'I'liis miniature is signed, “W’. B.,
1790.” It was painted for Wdlliam Lougliton Smith, of
South Carolina, apja)inted Minister to Portugal by W ash-
ington, by whose daughter, Mrs. T. O. Lowndes, of Charles-
ton, it was inherited. It was ])urchased from Mrs. Lowndes’
granddaughter. Miss P'dize W'ilkins, in 1897. The docu-
ments which accom])any this miniature include the auto-
graph letter from Sir Benjamin West introducing W illiam
Birc’h to Wdlliam Bingham, dated lA)ndon, July 14, 1794.
Size, inches.
070
t
I.OCKKT
About 1775. Oval. Gold-mounted. Miniature on ivory.
Portrait of George Washington. Painted by ('harles
Wilson IVale for IVashington, who j)resented it to a
Mrs. Israel, so tradition says, in recognition of valu-
able information given by her about the British
army and its plans. Mrs. Israel left it by will to Mrs.
Hannah P’aulknc'r Buck, who in turn left it to her
niece, Hannah Jane (afterwards i\Irs. Allen). Mrs.
.Mien gave it to her niece, Mary Allen (afterwards Mrs.
Fairfax), who disposed of it through Dodd, Mead Co.
in 19()t2. Confirmatory documents accompanv this minia-
ture.
Size, l‘C| i?iches.
^273 SXI'KK-JJOX
French; Fighteenth Century. (’ircular shape, detachable
lid. d’urned out of burl maplewood. Lid decorated with
relief medallion under glass, repousse in copper and mercury
gilt. Portrait of Washington. Signed, “Morel Fils.”
Diameter, 3^ inches.
^74 Snuff-box
Dutch; Eighteenth Century. Circular shape. Detachable
lid. Wood, turned and carved. Lid has carved portrait of
Washington as a General, with inscription.
Diameter, 3 inches.
^75 Ring
Nineteenth Century. Silver ring, with relief portrait of
Washington in cast-iron.
276 Medal
French; Nineteenth Century. Bronze medal. Obverse,
“Napoleon I, Emperor,” and bust of Napoleon; reverse,
“A Ses Compagnons de Gloire. Sa Derniere Pensee, St.
Helene, 5 Mai, 1821.” Surrounded by inscription “Cam-
pagnes de 1792 a 1815.”
277 Insignia
American; Nineteenth Century. Gold and blue enamel,
with portrait of Washington. “Sons of the Revolution,
1883.”
.278 Insignia
American; Nineteenth Century. Gold and enamel cross.
Portrait of Washington. “Sons of the American Revo-
lution.”
279 Scarf-pin
French; Nineteenth Century. Gold. Portrait of Lafayette.
Inscription, “27, 28, 29 Juillet, 1830.”
580 Miniature Painting
American ; Nineteenth Century. Miniature on ivory. Copy
of tlie De Brehan miniature portrait of Washington.
Size, 3 inches by 21/^ inches.
281 JIaxdlk-plate
xViiiericuii ; \ineteontli Ccnturv. Hrass drawer-liaiulle j)late,
ill stamped brass. I’ortrait of General \\ asliin^toii.
Size, Indies.
282 Medallion
Frencli; Eighteenth Century. Silliouette portrait in hronze
of Jkmjaniin Franklin.
Size, 1 inch.
283 Water Color Miniature
French; Eighteenth ('entury. Miniature painting on ivory
of “Tavern Scene,” after the manner of the Flemish School.
Signed (twice), “A. \. O.” Evidently intended for in-
sertion in the lid of a snuff-hox.
Size, 2 inches hy 2->4 inches.
K^)
''‘ 284) M‘ater Color
Austrian; Fughteenth C'entury (ahout 1T70). Gval minia-
ture portrait on ivory of Marie dosephe (better known as
Marie Antoinette), daughter of Maria Theresa and Francis
1. Painted at the time of her betrothal to the Daujihin
(TiOuis X\ I) of France.
Size, 31/4 inches hy 2')4 inches.
285 Water Coi.or
Nineteenth Century. Sijuare miniature portrait on ivorv
of lad}’ in a ruff. Costume of Sixteenth Century. Signed,
“Vander Werff.”
Size, 414 inches by 31/4 inches.
y
.283 Water Color
Nineteenth Century. Oval miniature on ivorv. Portrait
of Marie Antoinette, with her two children. In contem-
})orarv folding case of stampeil leather.
I’ainting: 314 inches by inches.
287
Clock Case
Late Nineteenth Century. Cast-iron, bronzed. Figure of
Washington in Lhiiform, standing with liand on pedestal.
Height, 20 inches.
Bas-relief
Early Nineteenth Century. C’ast-iron bas-relief of Wash-
ington.
Height, 1 inches.
289 Statuette
Late Nineteenth Century. Equestrian portrait of Wash-
ington in cast white metal, bronzed.
Height, 11 inches.
Bas-relief
Early Nineteenth Century. Cast in brass. Portrait bust
of Washington.
Height, 7 inches.
Bas-relief
Late Nineteenth Century. Cast in brass. American eagle,
bearing shield, with the Washington arms and motto.
Size, 5 inches by 7 inches.
/
292
Spoon
Late Eighteenth Century. Silver spoon. By Paul Bevere.
Engraved pattern, with monogram “J. S. W.”
Mai'k, ‘^Revere."'
Length, 8^/0 inches.
Three Spoons
Middle Eighteenth Centur^c Silver spoons, made by Re-
vere, the father of Paul Revere. Rat-tail pattern, with
engraved initials, “T. I. S.”
Length, 71/> inches.
Mark, “P. 7C,” in shield.
29-i 'J'hkkk Spoons
Middle Century. Silver spoons, made by a
boston silversmith. Kat-tail pattern, witli engraved ini-
tials, “T. 1. S.”
Mark, R.r in shield.
J.ength, 7^> Inches.
295 Taiu of IMiruok Knohs
.Vnierican ; I'hghteenth CentuiT. brass. Mirror-holders,
with })ortrait of Washington printed on porcelain. In-
scription, “Genl. Washington.”
Diameter, 2 inches.
296 Taik Miiikor Knobs
American; Eighteenth Century, brass, with stamped brass
})ortrait of “benjamin Franklin, I.L.D.”
Diameter, inches.
297 Mirror Knob
American; Nineteenth Century, brass, with stamjied brass
portrait of General Mhishington.
Diameter, 2 inches.
298 ^Mirror Knob
American; Nineteenth Century. Cast brass.
299 Nutmeg or Lemon Grater
Carved boxwood. Obverse figure of carpenter at work at
his bench, with tools displayed : on reverse, acanthus and
foliage decoration. Italian, of the late Seventeenth ('en-
tury.
Tiength, 7 indies.
800 Snuff-box
Carved and stained boxwood. Idd, har})-plaving figure,
with })alm trees, bottom, man and woman clasping hands.
Dutch; early Seventeenth Century.
• «
Length, 8* inches.
301
Watch-chaix
American ; early Xineteenth Centur}". This chain, made
from the liair of Mrs. Madison, belonged to Colonel Philip
Reed, U. S. Senator from 1806 to 1813. Gold slide en-
graved, “Ph. R.”
Length, 3 feet, doubled.
302 Bonboxkieee
English ; late Eighteenth Century. Battersea Enamel, in
blue and white, with printed portrait of General Washing-
ton in lid.
Size, 1% inches.
303 Seal
American ; X^ineteenth Century. Cornelian seal, with in-
taglio cutting of Indian carrying the flag of the United
States.
Size, 1% inches.
304 Ring
English ; Eighteenth Century. Gold mourning ring, with
hair, surrounded by imitation pearls set over green tinsel.
Inscribed, “Mary Poulton ; died 10 Sep., 1791.”
305 Telescope
English ; Eighteenth Century. The spy-glass of Commo-
dore John Barry (1745-1802), who in 1797, on account of
his meritorious services during the Revolution, was made
the first Commodore of the United States X^avy. The tele-
scope is of wood and brass, with the name, “Com. John
Barry, 1776,” rudely cut with a knife in the outer wooden
cylinder.
Length when closed, 21 inches.
306 Telescopic Walking Stick
American ; XJneteenth Century. Telescope so fitted as to
form, when screwed up, a walking stick with crooked handle.
An inscription around the rim of the upper portion runs.
llaniliii. At the Sign of the Quadrant. Providence.
Wdlliani Hamlin, a watclnnaker, was one ot tlie early Ameri-
can engravers. His first portrait of Washington was en-
graved in 1801, and the last in 1808. In the latter Ham-
lin added, after his owji name in the inscription, .Ktat, 90.
Length when closed, 31 inches.
307 Military Sabre
Sabre, with brass-studded steel handle; in steel scabbard.
^I'his formerly belotiged to Daniel Morgan, lirigadier-Gen-
eral, U. S. A., Blade engraved, “F. D. Z.”
308 Massive \A'rought-irox Treasure C'hest
German ; Fifteenth Century. Iron bound and covered muni-
ment or treasure chest, with steel jilate lock. Pierced and
engraved.
Size, 31 1/2 inches by 15lA inches by 181/0 inches.
309 Vexison Dish
Pewter. Late Eighteenth Century ; English. Dish
arranged for heating with hot water; two handles and four
acanthus leaf feet. Engraved on bottom, ‘AV. M. C.,
1790,” in script lettering.
Maker's mark, “James Dixon Sons, Sheffield ”
Note. — Dixon c^’ Sons were leading makers of Sheffield
plate during the last quarter of the Eighteenth Cen-
tury. This dish is of a familiar Sheffield plated ware
pattern.
Length, including handles, 21 inches.
31 0 Plate
I*ewter. English; Eighteenth ('enturv. ('entre engraved
with conventional figures of two birds, and date, “1771.”
Mark, “/. P. A'.,” with dustice h olding scales.
Diameter, 10% inches.
311
Plate
Pewter. Austrian; Eighteenth ('entiiry. Repousse and
engraved floral design, with dotted background. Acantlius
leaf border.
Diameter, 9^2 inches.
Plate
Pewter. Dutch; Eigliteenth Century. Repousse and en-
graved floral design.
Diameter, 9V2 inches.
313
Lamp
American ; early Nineteenth Century. Iron hand lamp, for
whale-oil ; with iron pick for arranging wick.
Height, 6% inches.
314 Kettle
Copper tea-kettle. American ; Nineteenth Century.
Height, 7^2 inches.
315 Lamp
White metal hand lamp, for whale-oil. American ; Nine-
teenth Century.
Height, 8 inches.
316 Salt-box
Pewter. English ; Eighteenth Centuiy. Engraved with
floral- spray.
Maker's mark, “D. H. T.”
Height, 10 inches.
317 Plate
Dutch ; Eighteentli C'entury. (’entre, repousse and en-
graved landscape, after tlie style of Oriental blue-and-white
china. Border, acantlius leaf decoration, engraved.
Diameter, 9^2 inches.
VXSE
Pewter. (reiMiuiii ; Kig'liteeiith Century* I)ec()rnti\ e pattern
of “jo^’^led” work.
Height, i) indies.
tm
d'AXKAKI)
l
Pewter. (lerinan ; Eighteenth ('entury. Jlin'^ed lid, witli
.shield, and initials '"G. i\I.” engraved on front. On three
L
feet of Cherubs’ Heads.
Height, 13 indies.
J32()
3
Tankard
Pewter. English; Pdghteenth Century. Hinged lid, with
••(t. ()., 1785,” engraved on it. Body decorated with “jog-
gled” work design.
Mark, “//. S. Sr
Height, 8 inches.
e
Tea-kettle
Cojiper. English ; Nineteenth Century.
Height, inches.
\
Tea-ketti.e
Brass. American; Xineteenth Century. Body and sjiout
of cast brass.
Height, 81 2 inches.
3
Hot 1Vati:r Urn
I’ewter and brass. English; Xineteenth Century. Globu-
lar shape. Brass faucet, with ivory handle. On four ball
feet.
Height, 14 inches.
i
COEFEE-POT
Pewter. (rennan ; Idgliteenth Century. Straight sides.
Wooden handle. Body decorated with “joggled” work.
Height, 9 inches.
325
Funnel
Vinegar funnel. American; Nineteenth Century.
Length, 6 indies.
326 Coffee-pot
Pewter. German; Eighteenth Century. With rattan cov-
ered metal handle.
Height, 9 inches.
"327 Plate
/ Pewter. English; Nineteenth Century,
j Diameter, 9 inches.
; 328 Platter
s
Pewter. English ; Eighteenth Century. Circular shape.
Diameter, 16% inches.
329 Lamp
Dutch; Eighteenth Century. Portable standing lamp, with
double nozzle; with brass snuffers and extinguisher.
Height, 12 inches.
330 Platter
Pewter. English; Eighteenth Century. Circular shape.
— Initials “I. B. C.” engraved on rim.
Marh, ^^Londonr “7. T.” in shield.
Diameter, 13 inches.
331 Ink Stand
Pewter. English ; Eighteenth Century. Circular shape.
Ink well and receptacle for sand, with pierced lid for dust-
ing. Projecting handle.
Height, 2 inches.
332 Lamp
^ White metal. American ; Nineteenth Century. Hand lamp,
i for whale-oil.
Lleight, 8 inches.
333 Tinder-hox
Pewter. KiikHsIi; Ei^^liteeiitli Century. Kectaiif^ulai
sliape, with sliding lid, and eonipartinents for flint and steel
and for tinder.
Size, 31/4 inehes by inehe.s.
334 Two Noggins
English; Nineteenth Century. ('op])er measuring, utensils.
“Quartern” and “half-ijuartern.”
Size, 4 inches and inches.
Three Tiles
Dutch earthenware; early Eighteenth Century. Painted
white and blue. Scriptural subjects, “Adam and lOve,”
“Moses ami Aaron Before I’haraoh,” “'i'he Manna in the
Desert.” These tiles came from the hall of the ('astle of
lloenebroech, near Aix-la-('hapelle. In wood frame.
5 inches square.
335
/
Pitcher
Delft ware; early Pnghteenth C'entury. Blue and white,
with hinged pewter lid and thumb-jiiece. Decorated with
imitation of Chinese figure subject.
Height, () inches.
337
Brazier
Pierced and wrought brass. Dutch ; early Eighteenth Cen-
tury. P'or charcoal, with wire guard and wooden handle.
These portable braziers were of universal use in Continen-
tal Piurope during the Seventeenth and Eighteenth Cen-
turies.
Size, 9 inches bv 7 inches.
Note. — The five follozving pictures, making a series of the
‘'Naval War of 1812,” xecre painted by Ambrose Louis Garneray,
who was born in Paris in 1783, and died in 1857. He was the
son of the painter, Jean Frangois Garneray, and his morine sub-
jects are held in high estimation by French critics. Examples
of his brush are to be found in most of the National and Provin-
cial Museums of France.
338
Oil Painting
By A. L. Gariicray. On panel. Re-cradled. Marine sub-
ject, “The Engagement Between the American ‘Wasp’
(Captain Jacob Jones) and the British ‘Frolic,’ October
17th, 1812.” In mahogany and gilt frame.
Size, 111/4 inches by 9 inches.
339 Oil Painting
By A. L. Garneray. On panel, and re-cradled. Subject,
“The Engagement Between the American ‘Constitution’
(Captain Isaac Hull) and the British ‘Guerriere,’ on Au-
gust 19th, 1812.” In mahogany and gilt frame.
Size, 111/4 inches by 9 inches.
310 Oil Painting
By A. L. Garneray. On panel, and re-cradled. Subject,
“The Engagement Between the American ‘Constitution’
(Captain Charles Stewart) and the British ‘Cyane’ and
‘Levant,’ February 20th, 1815, about 200 miles E.N.E. of
Madeira.” In mahogany and gilt frame.
Size, 1114: inches by 9 inches.
311 Oil Painting
By A. L. Garneray. On panel, and re-cradled. Subject,
“The Engagement Between the American ‘United States’
(Captain Stephen Decatur) and the British ‘Macedonian,’
Oct. 25, 1812.” In mahogany and gilt frame.
Size, 1114 inches by 9 inches.
312 Oil Painting
By A. L. Garneray. On panel, and re-cradled. Subject,
“The Battle of Lake Erie. ‘We Have Met the Eneinj^,
and They are Ours’ (Captain Perry in Command of the
American fleet), September 10, 1813.” In mahogany and
gilt frame.
Size, 18 inches by 914 inches.
313 Oil Painting
On canvas. Subject, “The Battle of Lake Champlain, Sep.
11, 1811.” In gilt frame.
Size, 22 inches by 20 inches.
.‘344
Powder Horn
Colonial trapper’s liorn. American; Imf^liteentli Century.
Piii^’ravcd with a map of the trail from Alhan}' to (Quebec,
throug'h Saratog'a and Montreal. Inscribed around rim,
“William Anderson. His Horne. M. H. Moon, Ft., ITdD.”
Tiength, 15 inches.
Powder Horn
Colonial tra])per’s. American
liCn^th, 12 inches.
Im^’hteenth ( 'ent ury.
jO'o
^34()
Mahogany Caihnet for Prints
S])eclally designed, and of ^ood workmanship.
TOKENS AND MEDALS OF W ASHINGTON
Sizeit hy the American Scale, Sia'feentlis of an Inch
Tiar^e bust ri^ht, in civilian dress. “Washin/^ton” on tab-
let below. Bronze; com])ression casting. Aery fine and
rare. Size, 100.
Struck copy of the oval ])eacc medal presented the Buf-
falo Historical Society in 1902. AVashin^ton holds lon^-
stemmed pi{)e to Indian’s mouth. Farming scene back-
ground. A'ery fine. Copper, silvered. 48x04.
.‘349 Ecclcston’s fine medal. Bust in decorated armor, 180.5.
Reverse, Indian standinp^. “The laind was Ours,” in cen-
tral disc. Fine; scarce; bronze. 48.
Du Advier’s Siege of Boston medal. Cast in silver; 800
fine; with hall-marks on edge. Very gcxal. 40.
Bolen’s large medal. Military bust right. Reverse, quo-
tations from AA^ashington’s letter to Hamilton. ('o})])er
and tin. P’ine and rare. 34. Two pieces.
S52
Rogat’s Washington, Kosciusko, and Lafayette. Their
profiles jugata. Reverse, oak chaplet over each name.
Bronze ; very fine ; rare. 32.
/ 353
\ / :■
Robt. Lovett and the Schmahlfeld (Danish) medals.
Minerva, seated; and cherubs support oval framed portrait.
Copper ; latter gilt ; fine. 32. Two pieces.
1
' 354
/
G. H. Lovett’s profiles. Union Square Statue and Brook-
lyn Bridge. Also Wright’s profile. White metal. Very
good. 26 to 32. Three pieces.
355
>>■ 1
Nude bust left by A. C. M. Reverse, view of New York
Crystal Palace Exhibition Building. Silver; very fine and
scarce. 32.
^356
Manly’s aged military bust; tin original; very fair. Also
one in bronze, from the newer dies; fine. 28. Two pieces.
357
Profile bust in brass ; frame on wood. 48.
,' 358
\
Large and small busts struck in black walnut for Philadel-
phia Exposition, 1876; very fine. 38. Two pieces.
7^ 359
V
Nini’s engraved medal; half-length civilian bust right, on a
polished gilt planchet inscribed “General Washington” ;
within a raised border of arched eyes amid blue enamel.
Reverse, large elaborately chased “G W” monogram, in
silver under glass, and enamelled border. A very fine and
rare pendant. Size, 34. In shagreen case.
0
’ L 360
Reich’s bust. New York Benevolent Society, 1808. Silver,
with loop ; good. 25.
361
Another, with loop removed; fine condition. Also bronze
of New York 1883 Evacuation C'entennial; very fine. 28.
Two pieces.
Jiacon’s “queer” portrait ( bearing' no siinllitude to W ash-
7 ington). For tlie Durand Gallery of Illustrious Men, 1«19.
Silver; fine. 20.
303 Voltaire’s medal. No portrait being known to \ oltaire, who
wished to compliment W'ashington by issuing a medal, a
heatl was selected to represent what he was fondly supposed
to resemble (a prize-fighter or guillotine attendant).
Therefore, this earliest of all Washington medals is devoid
of an}^ resemblance to his real features. Bronze; seldom
found so fine; rare. 25.
304 Mortuary medal, 1800; civilian l)ust right. Reverse, ‘“Fhe
Hero of Freedom,” etc. Bronze; very good. 24.
Westwood’s civilian bust.
20.
Copper-gilt; very fine; scarce.
300
Beich’s Washington and Franklin busts jugata. Reverse,
1783, eagle with thunderbolt, and olive branch over section
of o'lobe marked “United States.” Also the “Presidencv
Relin(j( uished ) ,” 1707 medal. Both Mint productions.
Bronze; very fine. 25. Two pieces.
307 Copies (cast and electrotype) of scarce medals. 18 to 34.
Four pieces.
308 \’arious minor medals for celebrations, etc. Fine lot. Cop-
per and tin. 12 to 22. Fifteen pieces.
Buttons worn at First Inauguration, and medal. Good;
scarce; brass. Three ])leccs.
1832 Birth Centennary, h’uneral Me<lal (tin)- Also 1870
3\'a Party and one Franklin, reverse. All silver but one.
Fine lot. 10, 20. h’our })leces.
371
Washington Small Eagle Cent, 1791. Very good ; original ;
scarce.
Liverpool Halfpenny, 1793. Very good.
Penny, “Liberty and Securit3\” Very good.
37-1 C'ents, 1783 Two military busts; one togated (Lincoln’s
re-strike). Good to fine. Three pieces.
qO 375 Double-head Cent, “North Wales” Halfpenny, “Lnity
I States” Cent, 1783, and “Georgius Triumpho,” 1783.
* Very good. Four pieces.
MEDALLIONS OF FRANKLIN
All the finest portraits of Franhlin were designed hy Xini during
his Paris sojourn, and have been copied hy all the
American die-sinkers for the past century.
Nini’s large terra-cotta, 1770; nude profile left. “Eripuit.
Coelo. Fulmen. Sceptrumque Tirannis.” Mounted in ele-
gant gilt bronze frame. Size, 108 (6% inches).
Nini’s smaller terra-cotta, 1777. Ver^’ fine portrait, Avith
fur cap and draped bust left. “B. Franklin, Americain.”
74.
Electrotype from preceding, AAuth inscription omitted. Cop-
per. 64.
Half-length draped bust right. “Docteur Francklin.”
Cast bronze, with engraved inscription. Rare. 68.
380
Short profile left in heavy inverted AAU’eath on oval cast
bronze medallion. Rare. 44x56.
Franklin Jiirthday Dinner, 19()5ii, to Dc \ inne. "i'ahlct by
lirenner. Jtronze. .‘i()x4().
Fi’anklin Inst. Fenna,, “Scott Fi’ciniinn.” Fine portrait,
after Xini’s. Hron/.e; very fine. 93.
? 9S9
(iobreelit’s draped bust left, Franklin Inst, award
to Murphy, 1844. Silver.
l)u})re’s draped bust left, 1784. An^el standing’ beside
broken crown and s])ectre. Jlron/.e. 28.
(lodel’s unsigned large draped l)ust left, 1819. Silver;
rare. 2.5.
iPojL. / '
Cafjue’s draj)ed bust left, 1818. Also liarre’s Franklin and
.Montyon busts jugata, 18.94. Ilronze. 2.5. 'I'wo pieces.
i ^^387 Keicli’s bust right. “Lightning Averted 'rvrannv Ke-
I {)cird.” Reverse, beaver gnaws oak tree, 1770. Rron/e;
scarce. 24.
988 Franklin Inst, award, after Xini’s fur cap portrait. Rare;
bronze. 22.
989 Lafayette. Two shell cop})er portraits, in wood frames. 26
l(i. Two pieces.
.MEDALS OF A.MERK'AXS OR ('OXXKOTED MTTII
AMERIC'AX EVENTS
Lafeytte. Two shell copper portraits, in wood frames. 26
and .92. Two })ieccs.
^ 990
Lafayette. Mantagny, Dumarest, and ('aunois ])ortraits.
Bronze; latter white metal (})ierced). 92, 20, 28. Three
})icces.
(£) 392-
Paul Jones. For services off Scotland. j\Iint copy of old
medal. Bronze. 35. ^
s
C harles t'arroll, in his 90th year. Last survivincc signer
Declaration of Independence, 1826. Silver; very rare. 30.
/
Daniel Webster. Fine portrait by Wrigjht. Reverse, globe
on column. Bronze; very fine. 48.
*2^395
John Brown. Portrait by Wiirden. Inscribed to his
memory. Bronze ; very good ; rare. 34.
J 396
*■ io-'
Prince Henry of Prussia, 1902. Brenner’s medal for the
Numismatic Society. Fine portrait in decorated uniform.
Reverse, a beautifully modelled mercury amid the waves.
Silver ; very fine and rare. 43.
2-'”
Washington Allston ; Art Union, 1847. By Wright. Sil-
ver ; fine ; rare. 40.
C 398
Asher B. Durand; Artists’ Fund, 1863. By Muller.
Bronze ; rare ; very fine. 30.
1 399
John Pintard ; founder New York Historical Society. Re-
verse, “Born, died,” etc., in wreath. Bronze; very rare.
40.
400
o
Pintard and Benson, first President Historical Societ}^).
Half-length portraits by Brenner. Reverse, fine views of old
and new buildings of Society, 1904. Silver; scarce. 40.
. 401
V -
i‘
Samuel Avery. Fine portrait by Scharff. Reverse, Art
seated in a studio admires statuette of a gladiator. Sil-
ver ; very fine ; rare. 40.
; 402
t -x c ^
1
Samuel Avery at 75. By Vorb. Large portrait. Very
similar to preceding. Finely tooled casting in bronze. 75.
405
400
3
1
40T
408
409
A
410
411
412
.James Kussell Ia)\vell. l'’ull-fac*ed bust by Calverley? 1895,
for the (irolier Club. Fine large casting. JJronze. 108
(()% inches).
.John W esley. IJy Key, 1800. lleverse, view of the .John
Street Chapel, 1708. IJrass ; very fine. .90.
Fridtjof Xansen. Fine portrait in high-relief, with fur
collar. IJy IJrenner, 1897. W'hite metal, silvered; oblong-
square. 28x42.
Erie Canal Celebration, 1820. Thomason’s large white
metal. Fine. 50.
Erie Canal. Similar, but smaller design. By Wb'ight,
1820. In original box, as j)resented by New York Cit3'. In
silver. xVlso one in tin. 28. Two ])ieces.
Mexican W ar Volunteers. Medal presented by Xew York
City. By W' right. Silver; very fine. .92.
Kevolutlonary War. Dutch medals commemorating the
Peace of 1782. Silver; rare; very good and fine. 28, 21.
Two })ieces.
New York Crystal Palace Exhibition, 1853. Fine view of
building. W hite metal. 40.
Medals of ('has. W'illson Peale, Dr. Ilosack, Lincoln,
(iraid, etc. \'arlous metals; latter silver. 10 to 20.
Eight pieces.
Columhus. I.arge laureated and armored bust of Ilenrv of
Navarre, labelled “Columbus.” Very fine; bronze. 100.
Columbus. The large d'iffany medal for Numismatic So-
ciety. Bronze. 48.
413
Co
433
Schopenhauer. Very fine portrait. Full-faced, with dis-
played hair. By Ma^^er. Reverse, finely modelled half-
length man in thoughtful attitude, “Pliilosophia.” Silver.
36.
434
Art Patrons medal. By Bourgeois. Full-length statuesque
figures of Goujon, Lescot, and Poussin. Very fine; silver.
44.
^ 435
Artists’ Carnival, Vienna, 1897. Zola, J. iM. Scharff. Por-
traits. Silver. 24, 20. Three pieces.
/ 436
‘3
Chas. Christofle, 1863. Tablet illustrating his art produc-
tions and industry. Oblong square ; fine ; bronze, silvered.
36x60.
0^37
Roty’s tablet to his friends ; female seated on river side.
Bronze, silvered. 30x34.
/ - 438
IJ^cr - j
Lens Mines, 1899; Miner at Work. Very fine tablet.
Bronze, silvered. 30x42.
i
Schiller. Portrait in high-relief. By Loos, 1859. Reverse,
lyre-playing angel with butterfly wings, amid stars. Sil-
ver. 26.
? 440
Roty’s Bastille medal. A^ery fine ; silver. 32.
3 „
Roty’s war medal for Madagascar Campaign, 1895. With
bar and ribbon. Silver. 18. ^ i ']'j
442
Krupp medal. Fine portrait of Alfred and Frederick. By
Scharff. View of the Krupp statue, 1892. Silver. 26.
^ 443
Bachofen von Echt, Adolf and Amalie, 1864-1872. By
Scharff. Silver tablet. 22x28.
444-
I^'raii/ Salvator and .Marie Valerie of Austria,
medal on tlieir marriage, 1890. Silver. ^7.
Seliartr.s fine
445
.Nicholas II and .Vlexaiidi'a of Uiissia. Fine portrait busts
1)V ('haplain, on visiting- l’’rance, 1890. Silver. 48.
f'
440 (xayrard’s octagon .Janus head medals. Keverses re})resent
(ireek deities, d'wo silver, one bronze. 18. d'hree pieces.
447 Hismarck, 1895, llirthday. Francis .Joseph, \ ienna, 1898,
tablet. Silver. 18, 14. dNeo pieces.
448 Norse Mythological Deities, Wodln, Fri^a, (iutrune,
lla^en, etc. lieautifully e.xecuted heads. Silvei'. 10. Five
' pieces.
449 French School at Athens. Science, seated amid ruins, has
discovered a statuette. Hoty's fine design. Silver. .‘30.
4.50 .Nude female seated. Inscribes a rock. Double cornuco})ia.
Silver. .‘31.
451 Henry 1\’. Fine bust, in decorated armor. 13y ( atpie.
From the series of French Ixings. llronze. .‘35^.
45fi I*resident Carnot. 13y Dubois. h'inc })ortroit, on his elec-
tion, 1887. llronze. 42. ,
45.‘3 (irambetta. I3y Roty, 1882. I’ortrait to left. Reverse, oak
and laurel branches. Rronze. 42. ‘ /
454 .Tides .Janssen and Xorman I.ockyer. Fine portr.aits jugata
to right. I3y Dubois. Reverse, Apollo Phiebus in (juad-
rig.-i amid the clouds, ])oints to the firotuberances on the
Sun. \ cry fine; bronze. 4.‘3.
455 Valentine Haiiy. By Vernon, 1887. Also Polytechnic
School Centennial, 1894; Science seated amid emblems of
war, etc. By Bourgeois. Very fine ; bronze. 80 and 42.
Two pieces. ’ ' ' ,
456 French Republic typified. Beautiful large liead, with oak
and olive twigs entwined in hair. By Dupuis. Another, with
Phrygian cap. By Roty. Bronze. 43 and 30. Two
^ pieces. t.0(^ V.:-
\
457 Exploration medal. By Dubois. Female seated between
polar and desert scenes measures Asiatic section on globe.
VAlso one by Borrel, 1894. Female within fort liberates
carrier pigeon. Bronze. 30. Two pieces. ' ^ }U^ ‘ Jt
458 Dupres tablet. Old Age and Youth kneel on seashore, wel-
come the rising Sun. Reverse, gulls over marine view. Sil-
ver. 32x40. J ?•
459 Dupre’s Adoration medal. Radiant Infant upheld by beau-
tifully veiled Mother near an altar. A shepherd, kneeling,
kisses Infant’s foot. Reverse, nude pilgrim worships be-
fore a crucifix, amid ancient ruins. Bronze; very fine. 45.
(T (3 ^ c j i Hi •> • ! ' ^
460
Mary and Infant Jesus,
tablet. 18x40.
Reverse, radiant cross. Bronze
. 'CO
aicj {hu. - ■ ' -
461 Cross-bow huntsman kneels amid woods at sight of the
Sacred Hart. Examples by Lauer and Schwartz. Bronze,
silvered. 24 and 30. Two pieces.
462 Degeorge’s horse famil}'^, 1887. Stallion, mare, and colt,
with groom in pasture. Bronze. 42. , 'jy -- . / /''
463 Duplicate; equally fine.
464 France, seated, instructs a young woman. Reverse, work-
basket and accessories. By Roty, 1884. Bronze. 42.
405
La^ruii^’c’s nude student drawing- profile of a statue. ^ erv
fine ; bronze. f3().
400
407
408
409
470
^471
47t2
470
474
('liaplain’s merit medal. Minerva seated on clouds, between
dancing’ cupids, holds laurel wi'eatbs and ])alm branch.
Ihonze. 4ti. . . „ '
l)u[)i’e’s tablet. Nude youth beside France, enthroned. Ke-
verse, ‘Tnion des Societies de Tir.” Kenner, 1901. Sil-
ver. J^OxOt^.
Card of “Iv. Adolf Bacbofen von Kcbt” ; fac.simile script.
Reverse, finely draped female sits l)eforc fire altar, viewing’
the sun across tlie sea. By Pawlik. Silver tablet. ti4x00.
Farm life medals. By Rivet. Aj)j)le orchard; cutting
wlieat, and poultry and cattleyard scenes. Bronze (two sil-
vered). 00. Three })ieces.
Bottee’s student medals. Fiteratiii’e, Science, and Mint
coinage. \ ery fine; bronze (one silvered). 00. 'Fliree
})iece.s. (!% ■._'
Dupuis tablet, “Le \id.” Xude female watching nest of
birds in woods. Reverse, infant, perclied on tree limb, feeds
bird. Silver; fine. J20x40. J v *^2'^
Coudi-ay’s tablet, ‘A'iticulture.*’ Beautifully modelled nude
female carries grape vines. Reverse, l)oy consuming grapes
near vineyard. Silver. Very fine. 24x40. j-.
Dupuis tablet, “b'loriculture." d'wo females train rose-
bush. Bronze. 00x08. ^
fc < • *
FehevrePs tablet to the French die sinkers. Xude females
inscribe their names on scroll against oak tree. 00x42.
Also Pawlik's tablet to A. Sebarff, 1900. 02x44. Bronze.
4'wo pieces.
475 Charles I of Roumaiiia. Fine portrait in high-relief, with
regalia. By SclnxrfF, 1895. Reverse, Aerial mei*maids
' hover over River God. Very fiiie; bronze. 44.
476
Friedrich, Grand Duke of Baden. Tablet by Mayer. Fine
portrait. Reverse, beautifully modelled young female holds
shield on wall near agricultural scene, 1902. Bronze. 33x
45.
477 Francis Joseph’s Fortieth Anniversary of Reign, 1888. By
Tautenhayn. Togated figure of Emperor in biga, received
Vienna. Reverse, portrait of Emperor, supported by
cupids, shown to a group personifying War, Peace, Justice,
Wisdom, and Fame. Bronze; very fine. 38.
478 Russian soldier faces Francia. Reverse, cupid, with cap
and bells, astride globe; Moskau, 1812; Sebastopol, 1854.
— German satirical medal, 1897. Bronze. 32.
479 Gottfried Keller. By ScharfF, 1889. Bust in high-relief.
Reverse, Orpheus, with lyre, charms lions and a hare.
Bronze ; very fine. 44.
480 Senefelder, 1834. Inventor of Lithography. Fine bust by
Mouchon. Reverse, demi-nude female, seated, exhibits print
to youth at press. Bronze. 44.
481 Rosegger, 1893, fiftieth birthday. Fine portrait by
ScharfF. Reverse, rustic couple on farm. Bronze. 32.
482 Julius Hann. Fine portrait by ScharfF. Reverse, sectional
view of mountain. Meteorological Society medal. Bronze.
36.
483 Dr. Leopold de Dittel. Fine portrait by ScharfF, 1895.
Reverse, oak and olive branches beneath serpent and chalice.
Bronze. 36.
'V
.1 ,
\ r
Mlcliel E. C’lievreul. Fine })ortrHit bj liotv, 1H86. Re-
verse, Youthful Freiieli ^irl consults the ineinber of
Academy of Sciences, Rronze, 43. V/u.. ^ /
Johann Strauss. Fine portrait by Schartt', 1894. Reverse,
ballroom scene, musical instruments, vam]iire, and mask.
Rronze. 36.
Goethe. Fine large bust by Scharff, 1899. Mephisto aj)-
proaches aged diet\' ; angels of War and Peace at left.
Silver. 45.
Goethe. Portraits by Loos, 1836, and Kullrich, 1849.
Rronze. 26, 24. Two pieces.
Schiller. Portraits by Allen Moore, and Kullrich. Fine;
bronze. 32, 24. Two pieces.
Liszt, 1886. Also Diirer. Reverse, his house. Rronze.
Fine. 17. Two ])ieces.
A FEW COINS
490 1799 United States Eagle. Veiy fine specimen of the early
gold.
491 1903 France 20 Francs. Ry Ohaplain. Very fine.
492 1903 Switzerland 20 Francs. Ry Landry, ^ ery fine.
493 1892 C'olumbus Half-Dollar and Isabella Quarter-Dollar,
1893. Very fine. Two pieces.
Thomas E. Kirry,
Auctioneer.
American Art Association.
Managers.
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